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Art, Poetry, and Testimonio in Cecilia Vicuña’s Saborami (1973)

Letras Femeninas, 2017
Saborami (1973) is the first book published by Chilean poet-artist Cecilia Vicuña (b. 1947) and one of the first artistic denunciations of the violence of the September 11, 1973 military coup d’état in Chile.
J. Lynd, Ana Roncero-Bellido
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War Changes Words: Bombing of Poems, Rotterdam, 2025

REGAC - Revista de Estudios Globales y Arte Contempor�neo
The following text provides an overview of the last Bombing of Poems performance in 2025, which took place in Rotterdam to commemorate the 85th anniversary of the city’s destruction in May 1940.
Cristóbal Bianchi
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O cinema latino‑americano diante da questão urbana: representações da favela no documentarismo dos anos 1950

Mester
The article discusses how Latin American documentary cinema, during the early movements of Modern Cinema, addressed urban issues and the processes of city development.
André Lima Monfrini
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Speculative Ecology: Huidobro, Parra, Zurita and Chile's Pacific Futures

International Conference on Machine Learning for Networking
:This article traces a neglected form of ecopoetics in Chilean literature, arguing that attention to the speculative ecological visions of poets traditionally associated with the avant-garde, like Vicente Huidobro, Nicanor Parra, and Raúl Zurita, can ...
Paul R. Merchant
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La fisura imperfecta


The poetry collections considered can be included in the so-called neo-avant-garde aesthetic. The first part of the study is devoted to the main thematic cores of the Chilean neoliberal discourse, such as technicism, apoliticism, the weakening of the ...
Maria Rita Consolaro
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