Results 21 to 30 of about 3,795 (98)
Imaginarios de sujeto en la narrativa de dos mil : la figura del escritor en la obra de Roberto Bolaño [PDF]
, 2013 Este artículo se enmarca en una investigación sobre imaginarios sociales de sujeto y espacio en la narrativa chilena, argentina y mexicana reciente, dentro de la cual intento pesquisar algunas figuraciones subjetivas recurrentes, entre ellas la del ...
Areco Morales, Macarena
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On Emerging British‐Latinx Art: The Case of Art Ubicua
Bulletin of Latin American Research, Volume 45, Issue 1, January 2026.ABSTRACT The historicisation of Latinx art has been consolidated as a field of study in the United States. While categorising art by specific communities or geographic regions can sometimes marginalise artists, such classifications have also opened up opportunities in spaces that might otherwise remain exclusive and inaccessible.
Clara Garavelli
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The Transgressive Power of the Ludic in Chilean Poetry of the 1970s and 1980s [PDF]
, 2014 Review of Maquinarias deconstructivas: Poesía y juego en Juan Luis Martínez, Diego Maquieira y Rodrigo Lira by Marcelo Rioseco (Santiago de Chile: Editorial Cuarto Propio, 2013)
Weintraub, Scott
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Tiki Kitsch, American Appropriation, and the Disappearance of the Pacific Islander Body [PDF]
, 2013 After Greenberg\u27s famous analysis of kitsch in terms of aesthetics, Art critic James Gaywood, reasserted the question of kitsch in terms of market.
McMullin, Daniel
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Realization of the standard cabinet as “equipment” by Le Corbusier: the transformation of the “wall”
JAPAN ARCHITECTURAL REVIEW, Volume 2, Issue 4, Page 494-506, October 2019., 2019 Abstract This paper clarifies Le Corbusier's (1887‐1965) spatial composition of standard cabinets as “equipment,” and it discusses the notion of “decor” in the 20th century. In his private house projects, Le Corbusier experimented with the standard cabinet as a partition separated from walls.
Shoichiro Sendai
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ALEA III, All American, November 1, 1995 [PDF]
, 1995 This is the concert program of the ALEA III, All American performance on Wednesday, November 1, 1995 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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La máquina en la vanguardia chilena [PDF]
, 2011 This article on authors from the Chilean avant-garde examines the representation of the machine on the periphery of the modern world. Excluded from a rural life due to the colonial conditions, it was rejected in the city because it replaced God as ...
Lizama A., Patricio
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Non‐visible aspects of ceramics: Archaeological science approaches in Andean pottery studies
Archaeometry, Volume 67, Issue S2, Page S100-S140, July 2025.Abstract This article examines the history of the application of archaeological science in studies of pre‐Hispanic pottery from the Andes, South America, through academic publications from the 1960s to the present. It details the questions addressed by, analytical tools used for and theoretical underpinnings of investigations into provenance and ...
Andrea Martínez‐Carrasco +1 more
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De/Sedimentation: The Geopoetics of José Watanabe and Soledad Fariña
Bulletin of Latin American Research, Volume 44, Issue 3, Page 147-160, July 2025.This paper explores de/sedimentation as both a textual and geological concept through the works of José Watanabe (La piedra alada) and Soledad Fariña (PAC PAC PEC PEC) to examine how literary and material traces accumulate, erode and reemerge within the colonial Anthropocene.
Rosa Berbel
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Future Humanities, Volume 3, Issue 1, May 2025.ABSTRACT The present text is the first English translation of an interview I conducted with Mattin previously published in French in the journal of the Collège International de Philosophie, Rue Descartes.
Cécile Malaspina, Mattin
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