Results 131 to 140 of about 187 (163)

The Politics of Realism in Chilean Cinema

2020
To explore the conditions that generate some of the striking aesthetic choices in contemporary Chilean cinema and their possible meanings, this chapter situates these films in the context of “World Cinema” discourses on cinematic realism. The transnational connections of the films’ realist aesthetics, and the historical predecessor of neorealism are ...
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The Presence of Absence in Contemporary Chilean Cinema

2020
Building on the affective turn in memory and film scholarship, including work by Laura Marks, Davina Quinlivan and Sara Ahmed, and on Latin American scholars such as Macarena Gómez-Barris, Nelly Richard, Carolina Urrutia, Miriam Haddu and Joanna Page, this chapter analyses how some films among the so-called New Chilean cinema are able to translate ...
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The Figure Of Memory In Chilean Cinema: Patricio GuzmÁn And RaÚl Ruiz

Journal of Latin American Cultural Studies, 2006
Films questioning memory in Chile over the last two decades have turned reflexively on their own mediation, as screening memory through projected images risks mirroring the modes of forgetting of m...
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Movie posters: between the spectator and the movie screen. Three cases in contemporary Chilean cinema.

Revista De Antropología Visual, 2022
The movie poster responds to the logics of the advertising field. Yet, its way of mediating between the spectator and the product that it advertises —an audiovisual work consisting of hundreds of images— make it a complex cultural product and allows us to analyze it using the notion of intermediality, as the inscription surface for signs that migrate ...
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Chilean Cinema in the Twenty-First Century World

Confluência, 2022
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7. The Politics of Realism in Chilean Cinema

2020
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