Results 1 to 10 of about 2,178 (169)

América Latina presente en los Encuentros de Música Contemporánea de la Agrupación Musical Anacrusa (Chile, 1987-1992)

Resonancias, 2022
This article explores the presence of Latin American composers and musical works during the Encounters of Contemporary Music of the Agrupación Musical Anacrusa that took place in Santiago de Chile (1987 and 1989) and La Serena (1992).
Daniela Fugellie
doaj   +1 more source

SPECIFIC SOUND PRODUCTION TECHNIQUES IN ACADEMIC GUITAR MUSIC

Studia Universitatis Babeş-Bolyai. Musica, 2022
The article is focused on the problematic research area in the borderline between performance, musical and composer’s interests in academic guitar music.
Tymur IVANNIKOV, Tetiana FILATOVA
doaj   +1 more source

Smashed hits: Overview [PDF]

, 1998
Though its trials are less monitored and recorded, music is no less subject to censorship than other forms of artistic expression, and the methods are much the same.
Petley, J
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“Los que la represión golpea por igual unieron la unidad”: o exílio chileno e a construção de redes musicais de solidariedade na década de 1970

Nuevo mundo - Mundos Nuevos, 2015
The Latin American dictatorships in the 1960s and 1970s disrupted the growing mobilization of protest singers and composers, but were not the end of continental integration projects through the song that have been proposed since the early 1960s.
Caio de Souza Gomes
doaj   +1 more source

Reading Spanish American national anthems: “Sonograms” of national identity [PDF]

, 2011
Analysis of the text, music, and historical development of representative Spanish American national anthems.
Neustadt, Robert
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La crisis institucional de la Universidad de Chile y la circulación, preservación, recepción y valoración de la música sinfónica de los compositores chilenos: una propuesta teórico-metodológica

Resonancias, 2018
A theoretical and methodological model is proposed. It is made up of three areas of study –the general institutional profile, the musical institutional profile and the evaluating judgment.
Luis Merino Montero, Julio Garrido Letelier   +1 more
doaj   +1 more source

Songs of exile: music, activism, and solidarity in the Latin American diaspora [PDF]

, 2017
This article addresses the long-standing connection between music and social activism in Latin America, centering on a discussion of ‘the music of exile’ as a cultural artifact of historical and conceptual significance for diasporic Latin American ...
Bucciferro, Claudia
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ALEA III, All American, November 1, 1995 [PDF]

, 1995
This is the concert program of the ALEA III, All American performance on Wednesday, November 1, 1995 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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From “Greater America” to America’s Music: Gilbert Chase and the Historiography of Borders [PDF]

, 2019
This essay considers the hotly debated U.S. border and its relationship to music historiography vis-à-vis the unconventional career of Gilbert Chase (1906-92), the first U.S. musicologist to take seriously the music of the Spanish-speaking world.
Hess, Carol A.
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Faculty recital: Alan Weiss, Andrés Díaz, and Mark Kroll, November 28, 1994 [PDF]

, 1994
This is the concert program of the Faculty recital: Alan Weiss, Andrés Díaz, and Mark Kroll performance on Monday, November 28, 1994 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Sonata
School of Music, Boston University
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