Results 31 to 40 of about 18,525 (216)

Negotiating with the Past: The Art of Calligraphy in Post-Mao China

open access: yesThe ASIANetwork Exchange: A Journal for Asian Studies in the Liberal Arts, 2012
Chinese Calligraphy, an integrated form that combines language, art, philosophy, and poetry, was considered the highest art in traditional China. Although no longer used for daily communication, calligraphy manages to sustain its presence in Chinese ...
Li-hua Ying
doaj   +2 more sources

'Chineseness': The work of Lo Yuen-yi in memory of the women of Nushu [PDF]

open access: yes, 2016
One of the difficulties facing art historians and curators when approaching recently produced artworks is how to interpret such works within the dominant narrative of art history and its traditional axis of historical time and geographical place.
Foster, Nicola
core   +1 more source

Interval Valued Neutrosophic Soft Expert Set for Impact Analysis of Calligraphy Art on the Inheritance of Chinese Language and Culture [PDF]

open access: yesNeutrosophic Sets and Systems
One of the greatest ways that Chinese culture is expressed is via calligraphy, which is both an artistic and linguistic heritage that captures the spirit of Chinese culture.
Guoqing Liu, Lujia Hao
doaj   +1 more source

Translanguaging and Visuality: Translingual Practices in Literary Art [PDF]

open access: yes, 2015
Translanguaging is a resource for linguistic creativity in communication and for critical engagement with one’s sociolinguistic or sociocultural reality.
Lee, TK
core   +1 more source

Emerging from Anonymity: The First Generation of Writers of Songs and Drama in Mid-Ming Nanjing [PDF]

open access: yes, 2010
This article traces the first generation of writers of songs and drama in Nanjing who emerged from the anonymous context of early Ming court entertainment and established their name and reputation in the second half of the fifteenth century.
Tan, Tian Yuan
core   +1 more source

Integrating General and Vocational Education to Sustain and Renew Traditional Chinese Culture: A Case Study of Chongqing Three Gorges Vocational College

open access: yesFuture in Educational Research, EarlyView.
ABSTRACT This study investigates how a Chinese higher vocational college can align skills training with the inheritance and innovative development of fine traditional Chinese culture. Grounded in perspectives that view vocational education as cultural transmission and identity work and informed by the lenses of general‐vocational integration and ...
Yuchang Xu   +7 more
wiley   +1 more source

Cognitive System of a Virtual Robot Based on Perception, Memory, and Hypothesis Models for Calligraphy Writing Task

open access: yesIEEE Access, 2022
In this paper, we propose a robotic cognitive system which can learn itself to do a specific assignment by accumulating experiences through bottom-up thinking to make decision by itself via top-down thinking according to the experiences.
Wei-Yen Wang   +5 more
doaj   +1 more source

An Study of Chinese Calligraphy Rubbings Imported into Nagasaki during the Edo Period [PDF]

open access: yes, 2014
During Edo period Japan’s self imposed policy of seclusion from the outside world, the only port open for trade was Nagasaki. The only countries allowed to trade with Japan being China and the Netherlands.
Ma Chengfen, 馬 成芬
core   +1 more source

Towards Water, Food and Energy Security: The Global Challenges and Possible Solutions for a Holistic Vision of Sustainability

open access: yesIrrigation and Drainage, EarlyView.
ABSTRACT This invited paper gives an overview of the challenges the world is facing and offers a possible solution for water and food security within the holistic integrated concept of the water–energy–food (WEF) nexus. The paper summarizes the experience the author gained through working on various research projects at national and international ...
Ragab Ragab
wiley   +1 more source

Power, identity and antiquarian approaches in modern Chinese art [PDF]

open access: yes, 2014
The pursuit of antiquity was important for scholarly artists in constructing their knowledge of history and cultural identity in late Imperial China. Following various publications by Bi Yuan 畢沅 (1730-1797), Wu Yi 武億 (1745-1799) and Qian Daxin 錢大昕 (1728 ...
Yang, Chia-Ling
core   +1 more source

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