Results 71 to 80 of about 100,482 (244)

Alexander Oldys’s Comic Displacement of Romance in The Fair Extravagant [PDF]

open access: yes, 2008
[Abstract] In Alexander Oldys’s The Fair Extravagant (1682), the male protagonist is anxious about his authority as a husband due to the heroine’s superior social rank and wealth, her strong personality, and her free agency.
Figueroa Dorrego, Jorge
core  

‘Humans Are Omnipotent and Beyond Their Destiny!’ Late Soviet Perspective on Girls’ Upbringing and the Female Self

open access: yesGender &History, EarlyView.
ABSTRACT The article examines post‐Stalinist Soviet expertise on girls’ education and upbringing, analysing texts for and about female adolescents created by specialists in pedagogical sciences, psychology, sociology, medicine as well as children's writers and journalists from different parts of the Union, including national republics. The text focuses
Ella Rossman
wiley   +1 more source

“If both my sons were on the gallows, i would sing": oppression of children in Beaumont‘s the knight of the burning pestle.” “If both my sons were on the gallows, i would sing": oppression of children in Beaumont‘s the knight of the burning pestle.”

open access: yesIlha do Desterro, 2008
Critics have described various objects of satire in Francis Beaumont‘s The Knight of the Burning Pestle, cluding “boorish behaviour and the demand that the playhouse serve private preference”(with a “class bias”against the citizens, George
Linda Andreson
doaj   +2 more sources

«Debates en torno al ocio en la narrativa anglonormanda: del Brut de Wace al Roman de Horn e Ipomedon»

open access: yesRevista de Literatura Medieval, 2016
Resumen: El trabajo analiza la recepción del problema planteado por el ocio, la recreantise, en la narrativa caballeresca de la Inglaterra anglonormanda.
María Dumas
doaj   +1 more source

When Was the Nation ? Golden Ages and Identities [PDF]

open access: yes, 2015
Arreu d’Europa, el nacionalismeromàntic tendia, en la seva faseinicial, a desenvolupar una enyorançamedievalista. Això prengué unaforma específica en aquelles àrees on,durant l’època feudal, havien estatreialmes independents, i que varenperdre aquesta ...
Leerssen, Joep
core  

Haunting the Historiography of Slaves in South Asia from the nineteenth century to the present

open access: yesGender &History, EarlyView.
ABSTRACT Using both English and Urdu‐language records, this article traces the career of a few African and Afro‐Asian women slaves in the household‐state of Awadh during the first half of the nineteenth century. Focusing on the same records, this article compares a master‐poet's recognition of the motherhood of the African and Afro‐Asian slaves to the ...
Indrani Chatterjee
wiley   +1 more source

Premières réalisations de la période dans le roman de chevalerie : Amadis en français et en allemand

open access: yesCahiers d’Études Germaniques
The romance of chivalry is a genre rather at odds with the period. Nevertheless, forms of complete argumentative movements, marked by syntactic complexity and programming the revelation of information, can be discerned in Des Essarts’ translation of the ...
Pascale MOUNIER, Delphine PASQUES
doaj   +1 more source

Queering Institutional Milestones in Elite Higher Education: Queer Perspectives on Princeton University and Coeducation (1960–1980)

open access: yesGender &History, EarlyView.
ABSTRACT A new archive of oral history interviews from LGBTQIA‐identified alumni, faculty and staff reveals the complex ways that queer and transgender students understood, experienced and remembered the long transition from single‐sex to coeducation at Princeton University.
Ezelle Sanford III   +2 more
wiley   +1 more source

The Uses of Anachronism in Shakespeare’s Troilus and Cressida

open access: yesGaziantep Üniversitesi Sosyal Bilimler Dergisi, 2017
Written at the turn of the century, Troilus and Cressida includes different codes of conduct in relation to those belonging to the past and the contemporary.
Evrim Doğan ADANUR
doaj  

Walter Scott and Ariosto's Orlando Furioso. [PDF]

open access: yes, 2016
Walter Scott proclaimed Ariosto his favourite Romance poet and Orlando Furioso his preferred epic. Byron subsequently called him the "Ariosto of the North" (and Ariosto "the southern Scott").
Oliver, S
core  

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