Results 71 to 80 of about 9,581 (241)

“If both my sons were on the gallows, i would sing": oppression of children in Beaumont‘s the knight of the burning pestle.” “If both my sons were on the gallows, i would sing": oppression of children in Beaumont‘s the knight of the burning pestle.”

open access: yesIlha do Desterro, 2008
Critics have described various objects of satire in Francis Beaumont‘s The Knight of the Burning Pestle, cluding “boorish behaviour and the demand that the playhouse serve private preference”(with a “class bias”against the citizens, George
Linda Andreson
doaj   +2 more sources

«Debates en torno al ocio en la narrativa anglonormanda: del Brut de Wace al Roman de Horn e Ipomedon»

open access: yesRevista de Literatura Medieval, 2016
Resumen: El trabajo analiza la recepción del problema planteado por el ocio, la recreantise, en la narrativa caballeresca de la Inglaterra anglonormanda.
María Dumas
doaj   +1 more source

Intertextuality of C.S. Lewis’ The Last Battle [PDF]

open access: yes, 2014
The Chronicles of Narnia has an established position in the canon of children’s literature. However, what on the surface is a fairy tale involving adventures and magic; with children, kings, talking beasts, and wood spirits as main protagonists; is, in
Zegarlińska, Magdalena
core  

What is (de)politicization and what is wrong with it?

open access: yesAmerican Journal of Political Science, EarlyView.
Abstract This article attempts to clarify the meaning of (de)politicization. Politicization sometimes refers to the inappropriate intrusion of partisan loyalties in nonpolitical social domains (affective politicization). Politicization can also constitute an ideal of civic agency and energy (contestatory politicization).
Dimitrios Halikias
wiley   +1 more source

Premières réalisations de la période dans le roman de chevalerie : Amadis en français et en allemand

open access: yesCahiers d’Études Germaniques
The romance of chivalry is a genre rather at odds with the period. Nevertheless, forms of complete argumentative movements, marked by syntactic complexity and programming the revelation of information, can be discerned in Des Essarts’ translation of the ...
Pascale MOUNIER, Delphine PASQUES
doaj   +1 more source

«Morgant le geant»: mise en livre et réception programmée de Pulci en France

open access: yesCarte Romanze, 2014
Morgante Maggiore a été traduit pour la première fois en français en 1519. On compte dix rééditions durant le XVIe siècle de cette traduction anonyme sinon effectuée dans un milieu parisien, du moins publiée à Paris.
Pascale Mounier
doaj   +1 more source

Parenting Support for Mothers Raised in Out‐Of‐Home Care

open access: yesChild &Family Social Work, EarlyView.
ABSTRACT Research and social indicators consistently confirm that young people who exit statutory out‐of‐home care (OOHC) tend to remain socially and economically disadvantaged through young adulthood. The present article reports findings from a qualitative study of the perceived parenting support needs of eight mothers (aged 17–30 years) who had spent
Jamie Ussher   +2 more
wiley   +1 more source

The Uses of Anachronism in Shakespeare’s Troilus and Cressida

open access: yesGaziantep Üniversitesi Sosyal Bilimler Dergisi, 2017
Written at the turn of the century, Troilus and Cressida includes different codes of conduct in relation to those belonging to the past and the contemporary.
Evrim Doğan ADANUR
doaj  

De Pierre de Sainte-Lucie à Benoit Rigaud, les mutations lyonnaises du «Chevalier de la Croix» (1534, 1581)

open access: yesCarte Romanze, 2015
Le Chevalier de la Croix constitue l’un des récits de chevalerie de la Bibliothèque de Troyes (Oudot, 1612) qui a été importé d’Espagne, via Lyon, sur la scène éditoriale française au XVIe siècle (Saint-Lucie, 1534), avant de paraître à Paris l’année qui
Anne Réach-Ngô
doaj   +1 more source

Re/Writing the Orient: Ludovico Ariosto’s Orlando Furioso, the Thousand and One Nights, and the Hundred and One Nights [PDF]

open access: yes, 2019
Canto XXIII marks a tragicomic turning point in the Orlando Furioso, as the tension sustaining the titular character’s epic stoicism and romantic chivalry falls away to reveal a maniacal anti-hero.
Batarseh, Amanda
core  

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