Results 151 to 160 of about 729 (200)
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The evolution of an interface for choreographers
Proceedings of the SIGCHI conference on Human factors in computing systems - CHI '93, 1993This paper describes the evolution of the interface to Life Forms, a compositional tool for the creation of dance choreography, and highlights some of the important lessons we have learned during a six year design and implementation period. The lessons learned can be grouped into two categories: 1) Process, and 2) Architecture of the Interface.
Thomas W. Calvert +4 more
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Choreographing Trauma Resuscitation in the OR
AORN Journal, 1996ABSTRACTSurvival rates are enhanced if severely injured trauma patients are admitted directly to the OR for resuscitation and surgical intervention. To increase the survivability and decrease the morbidity of trauma patients with penetrating trauma to the chest or abdomen, a hospital in La Jolla, Calif, developed a “direct to the OR” resuscitation ...
C L, Wooten +4 more
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ACM SIGGRAPH 2011 Posters, 2011
Novel graphics technologies have had a great impact on the movie industry, allowing the combination of real actors with virtual ones that are synthesized from captured performances. Although applications of these resources in other media have so far been little explored, recent trends indicates that artists will soon begin to use them creatively to ...
Adriana Schulz, Luiz Velho 0001
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Novel graphics technologies have had a great impact on the movie industry, allowing the combination of real actors with virtual ones that are synthesized from captured performances. Although applications of these resources in other media have so far been little explored, recent trends indicates that artists will soon begin to use them creatively to ...
Adriana Schulz, Luiz Velho 0001
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The Journal of Visualization and Computer Animation, 1992
AbstractChoreographed fluid‐like motions have been created and used to animate two dimensional images. Techniques are presented for generating these animations by repeatedly warping images using vector field representations of arbitrary flowing motions.
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AbstractChoreographed fluid‐like motions have been created and used to animate two dimensional images. Techniques are presented for generating these animations by repeatedly warping images using vector field representations of arbitrary flowing motions.
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IEEE Transactions on Services Computing, 2009
This paper introduces the multiagent protocols (MAP) Web service choreography language and demonstrates how service choreographies can be specified, verified, and enacted with a comparatively simple process language. MAP is a directly executable specification, services do not have to be preconfigured at design-time.
Adam Barker +2 more
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This paper introduces the multiagent protocols (MAP) Web service choreography language and demonstrates how service choreographies can be specified, verified, and enacted with a comparatively simple process language. MAP is a directly executable specification, services do not have to be preconfigured at design-time.
Adam Barker +2 more
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THE CHOREOGRAPHER – PEDAGOGUE. PEDAGOGICAL ASPECTS OF CHOREOGRAPHER ACTIVITY
2016In this paper, we shall try, basing on a theoretical analysis, to present the dance teacher/choreographer as a pedagogue – a dance educator. Our objective is to point out some of the pedagogical aspects of the choreographer’s activity, which is implemented as formal and non-formal education.
Vladova, Ina, ÜNLÜ, Yiğit Hakan
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Is the State a Choreographer? – Identifying the Origins of Choreographic Power
In this article, the author uses the figure of the choreographer as a starting point to identify centres of power in a system in which power is enacted and produced through movement. The author relates Foucault’s theories of state power to contemporary discussions of choreography in dance and performance studies while also drawing on historical ...openaire +1 more source
Choreographing Archives, Curating Choreographers:
2018FABIEN MALTAIS-BAYDA, JOSEPH HENRY
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