Humbled and Raised Christ (Ph 2, 6-11)
Ruch Biblijny i Liturgiczny, 2008 Ph 2, 6-11 in a poetic way describes the paradoxical way of Jesus Christ. Being equal with God, He entered human history with no privileges and identified Himself with every human being. Of His own free will, He experienced complete insignificance.
Stanisław Witkowski
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Holy Mutability: Religionsgeschichte and Theological Ontology [PDF]
, 2016 The Christian community characteristically confesses the constancy of God. But historians of religion know by contrast that the deity Yhwh evolved over time. How might scholars who belong to both these camps negotiate the disconnect?
Collin Cornell
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Studia Universitatis Babeş-Bolyai. Theologia Reformata Transylvanica, 2018 From the Altar-piece from Mittenwalde to the Matthew-Passion: Theological implication in Paul Gerdhardt’s hymn „O, Sacred Head, Now Wounded”. Paul Gerhardt (1607-1676) Lutheran pastor, theologian and hymnwriter is, without doubt, one of our most ...
Krisztián KOVÁCS
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Polylinguisme musical et cultivation discursive du « Je-féminin » à travers « Le Christ selon l’Afrique » de Calixthe Beyala : une pratique linguistique pour le militantisme inclusif [PDF]
Anadiss, 2022 Coming from a patriarchal society, Calixthe Beyala belongs to that generation of writers who decided to break the silence imposed on them by men. Her battle is marked by a linguistic revolution, the use of a sexually marked language, and the manipulation
KAMSU SOUOPTETCHA, Amos
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The Death of Tragedy: The Form of God in Paul’s \u3cem\u3eCarmen Christi\u3c/em\u3e and Euripides’ Bacchae [PDF]
, 2018 Scholarship on Phil 2:6–11 has long wrestled with the question of “interpretive staging.” While acknowledging that Jewish sapiential and apocalyptic literature as well as Roman apotheosis narratives provide important matrices for the hymn, the following ...
Cover, Michael
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The Divine Liturgy as Mystical Experience [PDF]
, 2015 Most characterizations of mystical experience emphasize its private, esoteric, and non-sensory nature. Such an understanding is far removed from the original meaning of the term mystikos.
Bradshaw, David
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Journal of Religious History, EarlyView.Abstract This article argues that W. E. B. Du Bois grounded his seminal conceptualisation of “the Negro church” in a Pan‐Africanist challenge to how Christian reformers and missionaries' usage of “Darkest Africa” as a metaphor for modern urban vice and poverty denigrated Africa and the African diaspora while promoting a segregated, imperialist version ...
Kai Parker
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Media Art in Worship: The Potential for a New Liturgical Art, Its Pastoral and Theological Challenges [PDF]
, 2006 (Excerpt) Greetings to you all, my colleagues in liturgy, my sisters and brothers in Christ! The black-and-white photography we encountered as part of our liturgy in the Chapel of the Resurrection yesterday and today represent art, meditation art that ...
Crowley, Eileen D
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FEMINISTS VERSUS MONUMENTS? From Protests to Anti‐monuments in Mexico City
International Journal of Urban and Regional Research, EarlyView.Abstract This article examines the role of heritage spaces and monuments in the Historic Centre of Mexico City during ongoing feminist mobilizations. Feminists have claimed that the Mexican government is more concerned about protecting monuments and urban heritage than acting to prevent gender‐based violence and femicide.
Fernando Gutiérrez
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How shall we sing the Lord's song in a strange land? : a thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in English at Massey University [PDF]
, 1989 Hymns have always been part of Christian liturgy, expressing the faith in congregational song. The NZ hymnwriter of the late twentieth century writes within a secular society which increasingly questions the relevance of religion.
Larner, WJ, Mayow, T
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