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The Classical Review, 2019
ment that the date of an ancient ring would define the date of the gem mounted in it (pp. 92, 139) – it was a common practice to set earlier stones in later rings and even to have rings and stones of different age paired in post-antique times. It is to S.
G. Ingle
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ment that the date of an ancient ring would define the date of the gem mounted in it (pp. 92, 139) – it was a common practice to set earlier stones in later rings and even to have rings and stones of different age paired in post-antique times. It is to S.
G. Ingle
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Blackfriars, 1936
If the art of painting exists for its own sake, if painting is nothing more than a sensuous arrangement, or (as the modernists would put it) an “organization” of line, colour, rhythm and mass, and if there is no underlying ethical or religious principle that finds its way from the artist's mind to the painted work, then of necessity the speculations ...
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If the art of painting exists for its own sake, if painting is nothing more than a sensuous arrangement, or (as the modernists would put it) an “organization” of line, colour, rhythm and mass, and if there is no underlying ethical or religious principle that finds its way from the artist's mind to the painted work, then of necessity the speculations ...
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Understanding Early Christian Art
, 2000Understanding Early Christian Art is designed for students of both religion and of art history. It makes the critical tools of art historians accessible to students of religion, to help them understand better the visual representations of Christianity ...
R. Jensen
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The invisible Christian God in Christian art
2016These texts from Isaiah do not say that God is indiscernible, only that God is incomparable to anything in the known, material world. God is also beyond human view; according to John 1:18, no one has ever seen the Divine One. This hidden deity, immortal and dwelling in unapproachable light, is made known by the Eternal Logos, the First Born of ...
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2022
Abstract Defining Christian visual art from the Renaissance to the present is a task fraught with difficulty. The diversity among Christian groups to emerge makes generalizations impossible, but common themes can be compared and contrasted to shed light on differing beliefs and practices. Widely acclaimed examples of
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Abstract Defining Christian visual art from the Renaissance to the present is a task fraught with difficulty. The diversity among Christian groups to emerge makes generalizations impossible, but common themes can be compared and contrasted to shed light on differing beliefs and practices. Widely acclaimed examples of
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1994
Abstract At the beginning of the third century (circa 190/200–210/220) a small group of Roman Christians commissioned and oversaw the execution of fresco paintings for the walls and ceilings of ten underground burial chambers1 within a catacomb complex situated on the Appia Antica (Figure 6.1 no.
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Abstract At the beginning of the third century (circa 190/200–210/220) a small group of Roman Christians commissioned and oversaw the execution of fresco paintings for the walls and ceilings of ten underground burial chambers1 within a catacomb complex situated on the Appia Antica (Figure 6.1 no.
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Journal of Documentation, 1950
THE Index of Christian Art is a division of the Department of Art and Archaeology of Princeton University. The purpose of the index is to catalogue by subject and iconographic type all the published monuments and objects containing representations of Christian subjects dated before the year 1400.1 To this end two principal files are maintained, the ...
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THE Index of Christian Art is a division of the Department of Art and Archaeology of Princeton University. The purpose of the index is to catalogue by subject and iconographic type all the published monuments and objects containing representations of Christian subjects dated before the year 1400.1 To this end two principal files are maintained, the ...
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The Apostles in Early Christian Art and Poetry, ed. Roald Dijkstra
, 2018Donato Bono
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