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2021
In creating her own particular style and legitimizing her status as a literary woman, a reflection on the female condition emerges from her work. This chapter considers two key texts: Cité des dames and Epistre Othea. The author's aim in the latter may not initially seem to be the exploration of women's dignification, since we are dealing with a text ...
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In creating her own particular style and legitimizing her status as a literary woman, a reflection on the female condition emerges from her work. This chapter considers two key texts: Cité des dames and Epistre Othea. The author's aim in the latter may not initially seem to be the exploration of women's dignification, since we are dealing with a text ...
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2020
Introduction Christine in Context Christine de Pizan and the Political Life in Late Medieval France, Renate Blumenfeld-Kosinski Christine de Pizan as Translator and Voice of the Body Politic, Lori Walters Somewhere between Destructive Glosses and Chaos: Christine de Pizan and Medieval Theology, Earl Jeffrey Richards Christine de Pizan: Memory's ...
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Introduction Christine in Context Christine de Pizan and the Political Life in Late Medieval France, Renate Blumenfeld-Kosinski Christine de Pizan as Translator and Voice of the Body Politic, Lori Walters Somewhere between Destructive Glosses and Chaos: Christine de Pizan and Medieval Theology, Earl Jeffrey Richards Christine de Pizan: Memory's ...
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2004
A comprehensive bibliography covering the most productive period to date, 1991-2002, of scholarship on the work of Christine de Pizan.
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A comprehensive bibliography covering the most productive period to date, 1991-2002, of scholarship on the work of Christine de Pizan.
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2008
The literary corpus of Christine de Pizan ( c .1363- c .1431) enacts all aspects of authorship as a performance of gender: not only does Christine self-consciously construct a gendered voice within the rhetorical structures of late medieval literary cultures, but this construct changed and evolved during Christine’s long and prolific career as a writer.
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The literary corpus of Christine de Pizan ( c .1363- c .1431) enacts all aspects of authorship as a performance of gender: not only does Christine self-consciously construct a gendered voice within the rhetorical structures of late medieval literary cultures, but this construct changed and evolved during Christine’s long and prolific career as a writer.
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2012
De tous les ecrivains du Moyen Âge, Christine de Pizan est celui dont le plus grand nombre de manuscrits originaux sont conserves, certains autographes, les autres realises sous sa direction. Ces cinquante-deux manuscrits forment donc un ensemble inestimable et representent un objet d’etude d’une exceptionnelle richesse d’enseignements, tant pour les ...
Ouy, Gilbert +2 more
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De tous les ecrivains du Moyen Âge, Christine de Pizan est celui dont le plus grand nombre de manuscrits originaux sont conserves, certains autographes, les autres realises sous sa direction. Ces cinquante-deux manuscrits forment donc un ensemble inestimable et representent un objet d’etude d’une exceptionnelle richesse d’enseignements, tant pour les ...
Ouy, Gilbert +2 more
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Christine de Pizan, France’s memorialist
Journal of European Studies, 2005This study deals with the ways that Christine de Pizan (c. 1365-1430) transformed her personal memories of King Charles V into an enduring form of national memory by allying her 1404 biography of Charles with official French history. To legitimize her role as royal biographer, Christine created a double-gendered persona evocative of Mary and Christ ...
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‘Je, Christine’: Christine de Pizan’s Autobiographical Topoi
2010The literary output of Christine de Pizan (1365–c.1429) was prolific, spanning almost four decades and encompassing a range of genres, including courtly verse, epistolary polemic and consolatio, historical biography, verse and prose allegory, political speculum, moral advice and conduct manual.
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Les autoportraits de Christine de Pizan
2013Très souvent utilisé dans les études consacrées aux œuvres de Christine de Pizan, le terme autoportrait a été pris dans des acceptions très diverses. Si l’extrême plasticité de cette métaphore fait qu’elle est en elle-même un instrument de description peu précis, nous avons tenté de montrer qu’elle paraît cependant très appropriée pour désigner tout à ...
Dulac, Liliane, Reno, Christine
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