Results 1 to 10 of about 42,271 (156)
Narcocine : la descente aux enfers du cinéma populaire mexicain
L'Ordinaire des Amériques, 2010 Cet article cherche à proposer, dans une perspective historique, une première approche du narcocine mexicain. Après avoir situé les origines du trafic de drogue au Mexique, il explique pourquoi la naissance du narcocinéma au milieu des années 1970 est ...
Emmanuel Vincenot
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L’INTELLIGENCE DU SENTIMENT SELON ROUSSEAU [PDF]
Studia Universitatis Babeş-Bolyai. Philologia, 2023 This article aims to consider the reflections that Jean-Jacques Rousseau develops on the feeling of self-affection in the Discours sur l’origine de l’inégalité and in Émile. This type of self-affection does not lead everyone to consider themselves as the
Rodolphe OLCÈSE
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Common Grounds: Thinking With Ruderal Plants About Other (Filmic) Histories
Philosophies, 2023 This article explores the connections between film and ruderal plants: plants that grow spontaneously in anthropized environments and that we often call “weeds”.
Teresa Castro
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Sozialistischer Realismus und narrative Suspension
Tr@jectoires, 2022 Sur le plan esthétique, Jahrgang 45 de Jürgen Böttcher (1966/1990) est sans aucun doute l'un des films les plus radicaux de la DEFA. Non seulement il se caractérise par un recours extrêmement prononcé aux prémisses esthétiques du cinéma européen de l ...
Verena Richter
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In the Presence of Cinema's Technical History
Aniki: Revista Portuguesa da Imagem em Movimento, 2017 Critical overview of the exhibition ""De Méliès à la 3D. La machine cinéma" at the Cinémathèque Française. A number of studies on techniques and filmic machines are evoked and different aspects of the exhibition are critically discussed.
Tatiana Monassa
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Aniki: Revista Portuguesa da Imagem em Movimento, 2014 In the Spring of 2014, three different Tokyo institutions, the National Film Center, Espace Vuitton, and the Tokyo Museum of Modern art, all held exhibitions related to the moving image.
Stephen Sarrazin
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Tétouan-Marseille: Notes festivalières
Aniki: Revista Portuguesa da Imagem em Movimento, 2014 Cet article traite du Festival International du Cinéma Méditerranéen (Tétouan) et des Rencontres Internationales des Cinémas Arabes (Marseille), et interroge les enjeux communs à certains films programmés lors des dernières éditions de ces manifestations.
Anaïs Farine
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Buster Still Speechless: A “Silent” Comic at the Cinémathèque française
Aniki: Revista Portuguesa da Imagem em Movimento, 2016 This article seeks to identify the underlying historiographical discourses advanced by the Cinémathèque Française’s recent Buster Keaton retrospective and to question the actor-director’s status as a “silent” comic in light of his wide ranging sound era ...
Noah Teichner
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António Reis and Margarida Cordeiro, eccentric filmmakers
Aniki: Revista Portuguesa da Imagem em Movimento, 2016 The international symposium "António Reis and Margarida Cordeiro, eccentric filmmakers" took place in Paris between the 3rd and the 4th of June, 2015. Speakers exchanged on the political, social and poetical aspects of the duo's cinematography, as well ...
Lucas Tavares Neves
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Aniki: Revista Portuguesa da Imagem em Movimento, 2015 This article discusses the image of Adolf Eichmann, which has haunted the screen ever since his spectacular kidnapping in Argentina. Characterized by a lack of archive images from the Nazi era and an abundance of images from the trial in Jerusalem in ...
Matthias Steinle
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