Results 1 to 10 of about 73,500 (238)
Common Grounds: Thinking With Ruderal Plants About Other (Filmic) Histories
Philosophies, 2023 This article explores the connections between film and ruderal plants: plants that grow spontaneously in anthropized environments and that we often call “weeds”.
Teresa Castro
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In the Presence of Cinema's Technical History
Aniki: Revista Portuguesa da Imagem em Movimento, 2017 Critical overview of the exhibition ""De Méliès à la 3D. La machine cinéma" at the Cinémathèque Française. A number of studies on techniques and filmic machines are evoked and different aspects of the exhibition are critically discussed.
Tatiana Monassa
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Aniki: Revista Portuguesa da Imagem em Movimento, 2014 In the Spring of 2014, three different Tokyo institutions, the National Film Center, Espace Vuitton, and the Tokyo Museum of Modern art, all held exhibitions related to the moving image.
Stephen Sarrazin
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Cahiers de Narratologie, 2021 En France, les années 1990 révèlent un véritable intérêt des chercheurs pour l’histoire de l’image animée à l’école mais les pratiques pionnières liées à la projection et la réalisation de films sont encore peu analysées.
Leslie Dagneaux
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Tétouan-Marseille: Notes festivalières
Aniki: Revista Portuguesa da Imagem em Movimento, 2014 Cet article traite du Festival International du Cinéma Méditerranéen (Tétouan) et des Rencontres Internationales des Cinémas Arabes (Marseille), et interroge les enjeux communs à certains films programmés lors des dernières éditions de ces manifestations.
Anaïs Farine
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Buster Still Speechless: A “Silent” Comic at the Cinémathèque française
Aniki: Revista Portuguesa da Imagem em Movimento, 2016 This article seeks to identify the underlying historiographical discourses advanced by the Cinémathèque Française’s recent Buster Keaton retrospective and to question the actor-director’s status as a “silent” comic in light of his wide ranging sound era ...
Noah Teichner
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Le survival comme mode d’appréhension de l’Histoire
Belphégor, 2021 En cherchant à immerger les spectateurs.rices au cœur de l’événement, certains films historiques contemporains adoptent un mode d’appréhension de l’Histoire qui s’apparente au survival entendu en un sens large comme une situation narrative où des ...
Sébastien Fevry
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António Reis and Margarida Cordeiro, eccentric filmmakers
Aniki: Revista Portuguesa da Imagem em Movimento, 2016 The international symposium "António Reis and Margarida Cordeiro, eccentric filmmakers" took place in Paris between the 3rd and the 4th of June, 2015. Speakers exchanged on the political, social and poetical aspects of the duo's cinematography, as well ...
Lucas Tavares Neves
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Aniki: Revista Portuguesa da Imagem em Movimento, 2015 This article discusses the image of Adolf Eichmann, which has haunted the screen ever since his spectacular kidnapping in Argentina. Characterized by a lack of archive images from the Nazi era and an abundance of images from the trial in Jerusalem in ...
Matthias Steinle
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Pallai: deshilvanando al cine boliviano digital
L'Âge d'or, 2016 Depuis sa création, le cinéma bolivien a réussi à exceller en tant que manifestation artistique. Mais depuis le début du siècle, grâce aux nouvelles technologies et à la possibilité de tourner des films en numérique, la situation est devenue beaucoup ...
Andrés Laguna Tapia
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