Results 241 to 250 of about 269,267 (275)
Some of the next articles are maybe not open access.
, 2020
Director of classics, theorist of montage, master of the mass epic, purveyor of Soviet realism in the midst of perilous political reality: Sergei Eisenstein is possibly the key figure in film history.
David Bordwell
semanticscholar +1 more source
Director of classics, theorist of montage, master of the mass epic, purveyor of Soviet realism in the midst of perilous political reality: Sergei Eisenstein is possibly the key figure in film history.
David Bordwell
semanticscholar +1 more source
African Migration Narratives, 2018
In 2005, the Lebanese-Swedish filmmaker Josef Fares, who had attained recognition in Sweden through the immigrant comedies Jalla! Jalla! (2000) and Kopps (2003), presented his third feature film and first drama, Zozo, inspired by Fares’s own migration to
B. Onikoyi
semanticscholar +1 more source
In 2005, the Lebanese-Swedish filmmaker Josef Fares, who had attained recognition in Sweden through the immigrant comedies Jalla! Jalla! (2000) and Kopps (2003), presented his third feature film and first drama, Zozo, inspired by Fares’s own migration to
B. Onikoyi
semanticscholar +1 more source
Film Manifestos and Global Cinema Cultures, 2019
Just a short time ago it would have seemed like a Quixotic adventure in the colonised, neocolonised, or even the imperialist nations themselves to make any attempt to create films of decolonisation that turned their back on or actively opposed the System.
Fernando Solanas, Octavio Getino
semanticscholar +1 more source
Just a short time ago it would have seemed like a Quixotic adventure in the colonised, neocolonised, or even the imperialist nations themselves to make any attempt to create films of decolonisation that turned their back on or actively opposed the System.
Fernando Solanas, Octavio Getino
semanticscholar +1 more source
, 2019
Section 1 1. Modernity and the City Film: Berlin 2. The Dark City: Film Noir - Los Angeles 3. The City of Love: Paris Section 2 4. City Film Industry: Hong Kong 5. The Divided City and the City in Ruins: Belfast, Beirut, and Berlin 6. Utopia and Dystopia:
Barbara Mennel
semanticscholar +1 more source
Section 1 1. Modernity and the City Film: Berlin 2. The Dark City: Film Noir - Los Angeles 3. The City of Love: Paris Section 2 4. City Film Industry: Hong Kong 5. The Divided City and the City in Ruins: Belfast, Beirut, and Berlin 6. Utopia and Dystopia:
Barbara Mennel
semanticscholar +1 more source
, 2019
Paradoxically enough, the impression left on the reader by Georges Sadoul's admirable book on the origins of the cinema is of a reversal, in spite of the author's Marxist views, of the relations between an economic and technical evolution and the ...
A. Bazin
semanticscholar +1 more source
Paradoxically enough, the impression left on the reader by Georges Sadoul's admirable book on the origins of the cinema is of a reversal, in spite of the author's Marxist views, of the relations between an economic and technical evolution and the ...
A. Bazin
semanticscholar +1 more source
, 2015
The traditional martial arts genre known as wuxia (literally "martial chivalry") became popular the world over through the phenomenal hit Crouching Tiger, Hidden Dragon (2000).
S. Teo
semanticscholar +1 more source
The traditional martial arts genre known as wuxia (literally "martial chivalry") became popular the world over through the phenomenal hit Crouching Tiger, Hidden Dragon (2000).
S. Teo
semanticscholar +1 more source
Louis-Ferdinand Céline et le cinéma: voyage au bout de l'écran by Émile Brami
Modern Language Review, 2021openaire +1 more source