Results 31 to 40 of about 23,663 (190)

‘The Good Couscous That Pleases Us!’: The Meanings of Enduring Imperialist Imagery in Postcolonial French Food Advertising, 1970–2000

Gender &History, EarlyView.
ABSTRACT This article examines a wave of Orientalism‐inspired food commercials that appeared on television in France between 1975 and 2000. Older commercials for couscous were more banal, emphasizing a given product's superiority or affordability. Around 1975, however, there was a concerted shift in the advertising; new spots contained exoticized ...
Kelly Ricciardi Colvin
wiley   +1 more source

L’archéologie peut-elle raconter des contes de fée ?

Les Nouvelles de l’Archéologie, 2014
Ce papier présente un récent projet d’archéologie contemporaine concernant, non plus une période de traumatisme ou de violence collective, mais le septième art. La fouille de décors cinématographiques originaux, ceux de la mise en image d’un conte de fée
Olivier Weller
doaj   +1 more source

Migration, Repression and Homosexual Sociability in Francoist Spain: An Analysis of the Case Files of the Special Courts of Barcelona (1965–1975)

Gender &History, EarlyView.
ABSTRACT In Spain, under General Franco's regime, homosexuality was regarded as an antisocial and dangerous behaviour. It was thus pursued both by the police and judicial courts. The Law on Vagrants and Crooks (1954) and, subsequently, the Law on Dangerousness and Social Rehabilitation (1970) constituted the legal mechanisms used by the dictatorship to
Jordi Mas Grau, Rafael Cáceres‐Feria
wiley   +1 more source

La Mise en Jeu des Objets Techniques sur les Scènes Théâtrales Contemporaines

Revista Brasileira de Estudos da Presença, 2016
Cet article porte sur l’usage par le comédien de l’objet technique en posant la question suivante: la prise en mains de celui-ci en scène est-elle initiatrice de nouvelles pratiques de jeu? L’objet technique est d’abord défini d’un point de vue général.
Julie Valero (Université Grenoble-Alpes – Rhône-Alpes, France)
doaj  

Miction secrète. Il professore ou le mauvais goût selon Marco Ferreri

Italies, 2007
Dans le panorama du cinéma italien de la première moitié des années 1960, Marco Ferreri impose en quelques films son style anticonformiste et provocateur.
José Pagliardini
doaj   +1 more source

Convertibility of Cultural Capital: A Longitudinal Study of University Students From 2017 to 2024

The British Journal of Sociology, EarlyView.
ABSTRACT A defining feature of cultural capital is its propensity for accumulation and the potential of its convertibility. However, there are a lack of studies that would explore how different forms of cultural capital could be employed as an advantage.
Ondřej Špaček
wiley   +1 more source

Pane e cioccolata. Cronaca ordinaria di una straordinaria emigrazione. La ristorazione italiana nella Svizzera anni ’70

Italies, 2010
Negli anni Settanta ed Ottanta, la ristorazione italiana ha rappresentato la punta di diamante dell’industria alimentare in Svizzera, e questo in ragione dell’ottimo rapporto qualità/prezzo proposto, della popolarità della sua gastronomia e dell ...
Domenico Guzzo
doaj   +1 more source

The Hour that Never Comes and the Time that Remains

Journal of Analytical Psychology, EarlyView.
Abstract This essay proposes a symbolic and clinical investigation of psychic temporality through two archetypal experiences of time: the hour that never comes and the time that remains. Drawing on analytical psychology, trauma theory and aesthetic philosophy, text explores how certain forms of suffering resist chronological resolution and persist as ...
Daniel Françoli Yago
wiley   +1 more source

Becoming monstrous: Beauty norms, body image, and discursive limits on compassion in The Substance

Nutrition &Dietetics, EarlyView.
Abstract Aim This study analyses the Hollywood body horror film The Substance to explore how Western beauty culture regulates emotions and bodies. It aims to explore compassion within dominant body image discourses and considers how this impacts dietetic care. Methods Using Foucauldian discourse analysis informed by affect theory, the film was analysed
Phillip Joy
wiley   +1 more source

Displaced Impacts: Visibility, Care, and Humanitarian Filmmaking in Iran

American Anthropologist, EarlyView.
ABSTRACT Socially oriented documentary films are increasingly expected to articulate “impact” goals to gain international distribution, yet what counts as impact for those represented remains contested. This article examines how narratives about working and displaced youth in Iran are produced and circulated through social filmmaking.
Nat Nesvaderani
wiley   +1 more source