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A Ciné-Geography of Militant Cinema in the age of Three Worlds. Making Global History Appear in the Long 1960s

Interventions, 2022
This essay questions the historical narrative of liberation struggles in the long 1960s by looking into two documentary films: La Hora de los Hornos, by Fernando Solanas and Octavio Getino (Argentina 1968), and Le Fond de L’Air est Rouge, by Chris Marker
Luís Trindade
semanticscholar   +1 more source

Militant cinema as an energetic alternative in the 1970s in Spain

Moving Image Review & Art Journal (MIRAJ), The, 2022
This article will examine the significance of the alternative film scene, as seen in the Spanish militant cinema of this period, through an analysis of the film Les energies (‘The energies’) (1979–80) by the Cooperativa de Cinema Alternatiu (CCA ...
Alberto Berzosa, Jaime Vindel
semanticscholar   +1 more source

“Militant Cinema: An Internal Category of Third Cinema” [1971] “Cine militante: una categoría interna del Tercer Cine”

Framework, 2021
Editors’ note: The following article, originally written by Solanas and Getino in 1971 as one article (according to Getino in “Algunas observaciones sobre el concepto del ‘tercer cine’”) was printed as two separate articles—“El cine militante: una ...
Fernando Solanas   +2 more
semanticscholar   +1 more source

The Simple Image: On Militant Cinema in Turkey

, 2020
All cinema to be a vehicle of ideas and cultural models, and instrument of communication and social projection, is in the first instance an ideological fact, and consequently, also a political fact...
M. Mert Örsler, Matthew Croombs
semanticscholar   +1 more source

Features of Atheistic Discourse in the Cinema of ‘‘Militant Atheism’’ of the 1920s

Vestnik VGIK
The article examines the specific features of Soviet anti-religious films of the 1920s from the first propaganda campaigns to full-length feature films. The real persecution of the Church and believers was beyond the attention of filmmakers.
M. A. Palshkova
semanticscholar   +1 more source

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