Results 71 to 80 of about 189,881 (180)

Pour une autre voix. CinémArabe, Asie-Afrique-Amérique latine (1975-1979), une revue d’action cinématographique tricontinentale

open access: yesL’Année du Maghreb
This paper deals with the magazine CinémArabe, dedicated to Arab, Asian, African and Latin American cinema. It was founded in Paris in 1975 by a group of young critics and filmmakers living in France, with the ambition of creating a new kind of criticism
Léa Morin
doaj   +1 more source

Pierre Francastel, le cinéma et la filmologie [PDF]

open access: yes, 2009
L’historien de l’art Pierre Francastel, penseur d’une sociologie de l’art et du rapport de l’art et de la technique, s’est révélé, en France, le plus prêt, parmi les chercheurs de sa discipline, à s’intéresser au cinéma.
Albera, François
core   +1 more source

Apollon, una fabbrica occupata: quando la lotta diventa “docufiction”

open access: yesDiacronie. Studi di Storia Contemporanea
The essay will be dedicated to a careful analysis of the 1968 film scene, with the birth of the so-called militant cinema. We will try to bring back, thanks to the numerous archival materials found in the historical archive of «l’Unità», the debate that ...
Bianca Maria SANTI
doaj  

'On tour' sur la scène musicale cairote 1996-2006 [PDF]

open access: yes, 2010
Thus paper presents a short panorama of the main changes that occured within the Cairene musical arena from 1996-2006 in terms of Musicians, spaces and musical stylesL'article dresse un bref panorama des transformations qui ont affecté la scène musicale ...
Miller, Catherine
core   +2 more sources

Le nucléaire et le cinéma

open access: yes, 2013
Ce papier de recherche du CRC de MINES ParisTech entrouvre la voie d'un ambitieux programme d'étude visant à étudier les films (documentaires, fictions, publicités...) qui traitent du nucléaire civil en France et à l'international.
Guarnieri, Franck   +2 more
core   +1 more source

Le Dictateur et les autres : satire première et satire seconde

open access: yes, 2007
International audienceChaplin's politically engaged film The Great Dictator constituted a "primary" cinematographic satire of Nazism and forced all later comedies to refer to it or to affect not to refer to this great model whose coherent vision and ...
Genton, François
core   +1 more source

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