Results 111 to 120 of about 256,570 (309)

Cinema de artista: cinema de atrações, cinema expandido, cinema de exposição

open access: yesPoiésis, 2008
Ao longo de sua história, o cinema, como prática social, sofreu profundas transformações. No entanto, nenhuma delas foi tão profunda quanto a criação, por volta de 1908, da Forma cinema, isto é, do modelo narrativo-representativo-institucional (N.R.I.).
openaire   +2 more sources

Entropy‐Driven Design of Low‐Melting‐Point Alloys via Compositionally Complex Strategy

open access: yesAdvanced Engineering Materials, EarlyView.
Conventional low‐melting‐point alloys (LMPAs) are limited by a narrow compositional space and inherent property trade‐offs. This review presents an entropy‐driven design strategy that overcomes these limitations, ushering in a new class of low‐melting‐point compositionally complex alloys (LMCCAs).
Yinghui Shang   +6 more
wiley   +1 more source

Produção, distribuição e exibição: cinema brasileiro da retomada (1995–2005) [PDF]

open access: yes, 2008
TCC (graduação) - Universidade Federal de Santa Catarina. Centro Sócio-Econômico. Economia.O ano de 1990 representou o fim de um modelo do cinema brasileiro, com base na participação direta do Estado através de órgãos públicos, como a Empresa Brasileira ...
Maia, Lucas Bueno
core  

Simulation‐Based Analysis of Insert Pull‐Out in Nickel‐Polyurethane Hybrid Foams Using CT‐Derived Geometries

open access: yesAdvanced Engineering Materials, EarlyView.
CT‐based finite element simulations combined with in situ X‐ray computed tomography are used to analyze insert pull‐out in nickel‐coated polymer foams. Despite variations in material parameters, deformation consistently concentrates within a narrow annular region around the insert.
Yannik Bautz   +4 more
wiley   +1 more source

Formal Features Of Image Construction In Ghost Films

open access: yesالاكاديمي
Ghosts - as a cultural phenomenon inherited across generations - represent a fundamental element created by the human imagination and addressed in literary and cinematic narratives, as ghosts occupy a large space in the heritage of nations. Horror films
Asia Ali Mahmood
doaj   +1 more source

Arte, mídia e cinema na escola: um ensinar que (me) ensina! [PDF]

open access: yes, 2012
O presente trabalho procura refletir sobre a relação entre arte, mídia e cinema na escola e tem como objetivo identificar pistas de uma possível proposta de ensino sobre cinema na escola incluindo o uso das tecnologias e da produção audiovisual na ...
Silva, Alessandra Collaço da
core  

Morphology, Transport, and Dynamics of Protein Adsorption in Open‐Cell Metal Foam

open access: yesAdvanced Engineering Materials, EarlyView.
Stainless steel (SS) open‐cell foams are shown to adsorb more protein per unit area than previously reported 316L SS and chromium oxide surfaces under static and flow conditions. An integrated approach combining 3D pore imaging, flow simulation, and protein adsorption experiments characterizes the foam’s performance.
Chinmaya Prerana Inguva   +2 more
wiley   +1 more source

Synthetic Social Alienation: The Role of Algorithm-Driven Content in Shaping Digital Discourse and User Perspectives

open access: yesJournalism and Media
This study investigates how algorithm-driven content curation impacts mediated discourse, amplifies ideological echo chambers and alters linguistic structures in online communication.
Aybike Serttaş   +2 more
doaj   +1 more source

Investigating the Low‐Temperature Phase Stability of the Binary Ta–W System

open access: yesAdvanced Engineering Materials, EarlyView.
Atomistic simulations show that the binary Ta–W system forms ordered intermetallic phases, B2‐TaW and D03‐TaW3, as 0 K ground states. Configurational entropy, however, lowers the free energy of the disordered bcc solid solution, which becomes the stable phase above about 400 K.
Klemens Lechner   +7 more
wiley   +1 more source

Cinema moderno no Brasil de 1968

open access: yesAcervo, 2011
This article presents the questions suscitated by the Brazilian cinema novo during the sixties and the seventies, having as reference the historical year of 1968.
Andréa França, Liliane Heynemann
doaj  

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