Advanced Functional Materials, EarlyView.This study demonstrates the use of a low‐cost 3D printing technique to prepare a large‐area PVDF‐FAPbI3 composite dielectric film for flexible TENG application. The δ→α phase transformation of the FAPbI3 nanofillers has significantly improved the β‐phase content, morphology, and dielectric properties of the PVDF film.
Nurfatin Hafizah Zain Karimy +7 more
wiley +1 more source
Effectiveness of different intervention designs for improving physical activity in adults with cardiometabolic conditions over time: a systematic review and network meta-analysis of randomised controlled trials. [PDF]
BMC MedHodkinson A +7 more
europepmc +1 more source
O SUICÍDIO DELES E O NOSSO: O 11 DE SETEMBRO NO CINEMA
, 1969 Célia Tolentino
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Grenada: Portrait of a Revolution. 1982. Produced and directed by Joanne Kelly and Skip Sweeney: Grenada: The Future Coming Toward Us. 1983. Produced by The Caribbean Resource Institut. and New York Cinema. directed by John Douglas, Carmen Ashhurst. and Samori Marksman: Grenada: Land of Spice. 1982. Produced by Museum of Modern Art of Latin America [PDF]
, 1986 George M. Epple
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Charlotte Werbe, Assistant Professor of French
, 2019 In this Next Page column, Charlotte Werbe, Assistant Professor of French, shares her love of cinema and the films you should watch next, as well as the text that first inspired her research on the Holocaust and the challenging but important work of ...
Musselman Library,, Werbe, Charlotte
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Advanced Functional Materials, EarlyView.Novel ferrocene derivatives (e.g., FcPhc2) are used as an ultrathin layer hole‐blocking layer, reducing hole injection from the Ag contact. This results in an ultralow noise spectral density of 1.2 × 10−14 A Hz−1/2, and a high specific detectivity of 8.1 × 1012 Jones at −0.5 V.
Eunyoung Hong +16 more
wiley +1 more source
In Flight Performance of the MAGIC Magnetoresistive Magnetometer on the RadCube CubeSat. [PDF]
Space Sci RevEastwood JP +19 more
europepmc +1 more source
Addictive behavior in cinema demand: evidence from Korea [PDF]
It is intuitively plausible that the demand for cinema services may be partly driven by addiction or habit. Yet there is almost no empirical literature which tests for whether cinema demand is addictive.
Donghyun PARK, Sangho KIM
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