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A cinema in the gallery, a cinema in ruins

Screen, 2009
This essay examines the contemporary presence of 16 mm in the gallery to argue that anxieties concerning the obsolescence of celluloid have led to a recent proliferation of filmmaking practices that posit the medium specificity of film as linked to the ephemeral, the spectral and the remembrance of failed utopias.
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Multiplicity and multiplexing in today's cinemas: Diasporic cinema, art cinema, and mainstream cinema

Journal of Media Practice, 2010
ABSTRACTThis article explores the resurgence of a new mainstream cinema, a new Hollywood cinema (or Bollywood cinema for that matter), which I'm calling multiplex cinema. In the current moment of post-diasporic and post-Internet globalization, which is driven by two seemingly contradictory movements in the world intersecting with each other, I apply ...
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The Cinema

2009
People say that the savage no longer exists in us, that we are at the fag end of civilisation, that everything has been said already and that it is too late to be ambitious. But these philosophers have presumably forgotten the movies.
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Quebec Cinema as Global Cinema

2019
This chapter examines the transformations that have affected Quebec cinema since 2000: greater success at the domestic box office, increased international recognition by audiences and through awards, and the more visible presence of Quebec filmmakers in Hollywood and international production.
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From the Cinema to the Cinema Theater

Journal of the SMPTE, 1966
After reviewing the development of motion-picture theater construction for silent, sound and wide-screen films, the effects of the rapprochement now taking place between the projection of motion pictures and live stage performance is discussed. The basic concepts of motion-picture theater construction as defined in the French Standard S-27,001 are ...
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Cinema at the table, cinema as roundtable [PDF]

open access: possibleJournal of Chinese Cinemas, 2021
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Cinema nel cinema / Cinema in the cinema

2020
| Atmosfere evocative e immaginari capaci di rivaleggiare con quelli dei film in proiezione caratterizzano il foyer di Fab Cinema a Xi’an, in Cina. Dove la noia dell’attesa è vinta dalla potente regia della narrazione spaziale, a cura di X+LIVING / Evocative and imaginary atmospheres able to rival those of the films being screened characterize the ...
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Cinema at the Intervals of Cinema

Critical Quarterly, 2011
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