Results 261 to 270 of about 256,570 (309)
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Cinema nel cinema / Cinema in the cinema
2020| Atmosfere evocative e immaginari capaci di rivaleggiare con quelli dei film in proiezione caratterizzano il foyer di Fab Cinema a Xi’an, in Cina. Dove la noia dell’attesa è vinta dalla potente regia della narrazione spaziale, a cura di X+LIVING / Evocative and imaginary atmospheres able to rival those of the films being screened characterize the ...
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Deleuze and Guattari Studies, 2019
In a conference from 1987 on ‘What is the Creative Act?’, Deleuze argues that a fundamental and mysterious affinity subsists between the work of art and the act of resistance. Starting from this statement, Agamben in his echoing text ‘What is the Act of Creation?’ presents an idea of resistance co-essential to power itself.
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In a conference from 1987 on ‘What is the Creative Act?’, Deleuze argues that a fundamental and mysterious affinity subsists between the work of art and the act of resistance. Starting from this statement, Agamben in his echoing text ‘What is the Act of Creation?’ presents an idea of resistance co-essential to power itself.
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Proceedings of the 18th conference on Winter simulation - WSC '86, 1985
CINEMA is a general purpose, micro-computer based animation system designed to work with the SIMAN simulation language. A sophisticated yet easy to use graphical interface allows users with little or no programming skills to build highly detailed animations of any SIMAN simulation model.
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CINEMA is a general purpose, micro-computer based animation system designed to work with the SIMAN simulation language. A sophisticated yet easy to use graphical interface allows users with little or no programming skills to build highly detailed animations of any SIMAN simulation model.
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Proceedings of the 1st ACM workshop on Story representation, mechanism and context, 2004
Stories make our experiences memorable over time. In constructing and sharing our personal and communal memories, we move in a reflective manner back and forth between our life-world and our life-stories. Advances in network communications and the growing abundance of personal media recording devices provide new opportunities for collecting, examining ...
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Stories make our experiences memorable over time. In constructing and sharing our personal and communal memories, we move in a reflective manner back and forth between our life-world and our life-stories. Advances in network communications and the growing abundance of personal media recording devices provide new opportunities for collecting, examining ...
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Quebec Cinema as Global Cinema
2019This chapter examines the transformations that have affected Quebec cinema since 2000: greater success at the domestic box office, increased international recognition by audiences and through awards, and the more visible presence of Quebec filmmakers in Hollywood and international production.
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A cinema in the gallery, a cinema in ruins
Screen, 2009This essay examines the contemporary presence of 16 mm in the gallery to argue that anxieties concerning the obsolescence of celluloid have led to a recent proliferation of filmmaking practices that posit the medium specificity of film as linked to the ephemeral, the spectral and the remembrance of failed utopias.
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2011
Si tratta di un saggio in lingua francerse che propone l'analisi di un racconto di Antonio Tabucchi, Cinema, Cinema e delle relazioni intertestuali che intrattiene con l'opera dell'autore e i suoi miti letterari e ...
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Si tratta di un saggio in lingua francerse che propone l'analisi di un racconto di Antonio Tabucchi, Cinema, Cinema e delle relazioni intertestuali che intrattiene con l'opera dell'autore e i suoi miti letterari e ...
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Dal cinema alla rete : ovvero : dal cinema al cinema
2012Un'analisi delle condizioni di esistenza del cinema nell'epoca della sua de-istituzionalizzazione, sullo sfondo della diffusione dei media digitali.
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From the Cinema to the Cinema Theater
Journal of the SMPTE, 1966After reviewing the development of motion-picture theater construction for silent, sound and wide-screen films, the effects of the rapprochement now taking place between the projection of motion pictures and live stage performance is discussed. The basic concepts of motion-picture theater construction as defined in the French Standard S-27,001 are ...
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The Other Cinema, the Cinema of the Other
2008How do you speak about cinema by speaking with and through cinema? This is the question addressed by students, teaching staff and guest speakers in a PhD seminar held at the Orientale in 2005. The seminar explored work by Pasolini, Lynch, Ki-Duk, Naderi, Kiarostami and visual and digital artists, linking theory and practice, ethics and aesthetics ...
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