Results 291 to 300 of about 252,223 (341)
Some of the next articles are maybe not open access.
African Migration Narratives, 2018
In 2005, the Lebanese-Swedish filmmaker Josef Fares, who had attained recognition in Sweden through the immigrant comedies Jalla! Jalla! (2000) and Kopps (2003), presented his third feature film and first drama, Zozo, inspired by Fares’s own migration to
Babatunde Onikoyi
semanticscholar +1 more source
In 2005, the Lebanese-Swedish filmmaker Josef Fares, who had attained recognition in Sweden through the immigrant comedies Jalla! Jalla! (2000) and Kopps (2003), presented his third feature film and first drama, Zozo, inspired by Fares’s own migration to
Babatunde Onikoyi
semanticscholar +1 more source
Film Manifestos and Global Cinema Cultures, 2019
Just a short time ago it would have seemed like a Quixotic adventure in the colonised, neocolonised, or even the imperialist nations themselves to make any attempt to create films of decolonisation that turned their back on or actively opposed the System.
Fernando Solanas, Octavio Getino
semanticscholar +1 more source
Just a short time ago it would have seemed like a Quixotic adventure in the colonised, neocolonised, or even the imperialist nations themselves to make any attempt to create films of decolonisation that turned their back on or actively opposed the System.
Fernando Solanas, Octavio Getino
semanticscholar +1 more source
, 2019
Section 1 1. Modernity and the City Film: Berlin 2. The Dark City: Film Noir - Los Angeles 3. The City of Love: Paris Section 2 4. City Film Industry: Hong Kong 5. The Divided City and the City in Ruins: Belfast, Beirut, and Berlin 6. Utopia and Dystopia:
Barbara Mennel
semanticscholar +1 more source
Section 1 1. Modernity and the City Film: Berlin 2. The Dark City: Film Noir - Los Angeles 3. The City of Love: Paris Section 2 4. City Film Industry: Hong Kong 5. The Divided City and the City in Ruins: Belfast, Beirut, and Berlin 6. Utopia and Dystopia:
Barbara Mennel
semanticscholar +1 more source
, 2019
Paradoxically enough, the impression left on the reader by Georges Sadoul's admirable book on the origins of the cinema is of a reversal, in spite of the author's Marxist views, of the relations between an economic and technical evolution and the ...
A. Bazin
semanticscholar +1 more source
Paradoxically enough, the impression left on the reader by Georges Sadoul's admirable book on the origins of the cinema is of a reversal, in spite of the author's Marxist views, of the relations between an economic and technical evolution and the ...
A. Bazin
semanticscholar +1 more source
Cinema and Media Studies, 2018
Studies of Brazilian cinema came to the fore in the 1960s and 1970s with the emergence of the avant-garde, politicized Cinema Novo, which dialogued with New Wave cinemas in Europe, particularly France, and in other parts of Latin America.
Lisa Shaw
semanticscholar +1 more source
Studies of Brazilian cinema came to the fore in the 1960s and 1970s with the emergence of the avant-garde, politicized Cinema Novo, which dialogued with New Wave cinemas in Europe, particularly France, and in other parts of Latin America.
Lisa Shaw
semanticscholar +1 more source
Expanded Cinema, Recycled Cinema
Feminist Media Histories, 2022VALIE EXPORT and Agnès Varda both made moving-image installations about ping pong (EXPORT’s 1968 Ping Pong and Varda’s 2006 “Ping Pong, Tong, et Camping”), a subject each returned to on multiple occasions in subsequent works across different media forms. Apprehending ping pong as a cinematic thing and gesture, this essay considers how EXPORT and Varda,
openaire +1 more source
Cinema and Media Studies, 2018
Iranian cinema first came under international attention for its prerevolutionary art cinema known as the Iranian New Wave and more widely for its postrevolutionary cinematic movement called the New Iranian Cinema.
Farshid Kazemi
semanticscholar +1 more source
Iranian cinema first came under international attention for its prerevolutionary art cinema known as the Iranian New Wave and more widely for its postrevolutionary cinematic movement called the New Iranian Cinema.
Farshid Kazemi
semanticscholar +1 more source
, 2015
The traditional martial arts genre known as wuxia (literally "martial chivalry") became popular the world over through the phenomenal hit Crouching Tiger, Hidden Dragon (2000).
S. Teo
semanticscholar +1 more source
The traditional martial arts genre known as wuxia (literally "martial chivalry") became popular the world over through the phenomenal hit Crouching Tiger, Hidden Dragon (2000).
S. Teo
semanticscholar +1 more source
Cinema nel cinema / Cinema in the cinema
2020| Atmosfere evocative e immaginari capaci di rivaleggiare con quelli dei film in proiezione caratterizzano il foyer di Fab Cinema a Xi’an, in Cina. Dove la noia dell’attesa è vinta dalla potente regia della narrazione spaziale, a cura di X+LIVING / Evocative and imaginary atmospheres able to rival those of the films being screened characterize the ...
openaire +1 more source