Results 101 to 110 of about 68,183 (221)

The chatbot's real self: On the archaeology of artificial personas Le vrai soi du chatbot: vers une archéologie des personnes artificielles

open access: yesJournal of Linguistic Anthropology, Volume 36, Issue 1, May 2026.
Abstract From the beginning of widespread public interactions with ChatGPT and other large language models, some users have seen the disfluencies of chatbots as opportunities for them to go on an archaeological search for an unfettered chatbot persona that they need to jailbreak. These are not claims of sentience, but rather of personhood.
Courtney Handman
wiley   +1 more source

Filmes brasileiros de mulheres paranóicas: as segundas mulheres e o horror no cinema brasileiro

open access: yesE-Compós, 2011
Tem-se como objetivo discutir aspectos do gênero horror presentes em cinco longas-metragens paulistas protagonizados por mulheres durante os anos 1950. Quer-se sugerir que tais obras, inspiradas no que Mary Ann Doane (1987) chamou de “paranoid woman’s films” hollywoodianos dos anos 1940, podem ter tido alguma influência sobre filmes de horror ...
openaire   +2 more sources

Feeling and Healing Eco-social Catastrophe: The Horrific Slipstream of Danis Goulet\u27s Wakening

open access: yes, 2016
Cree/Métis filmmaker Danis Goulet’s science fiction short Wakening (2013) is set in Canada’s near future, yet the film reveals a slipstream of time where viewers are invited to contemplate the horrors of ecosocial crises—future, past, and present.
Monani, Salma
core  

The Dynamics of Reading Genre Fiction: Researching and Teaching Interpretive Practices

open access: yesReading Research Quarterly, Volume 61, Issue 2, April/May/June 2026.
Conceptual model positioning genre fiction as a site for studying how narrative form organizes reader interpretation, identifying four dynamics—iterability, narrative interest, serialization, and spectacle—to guide empirical research on reading processes.
Robert Jean LeBlanc, Amy Stornaiuolo
wiley   +1 more source

Em busca de uma “imagem crítica”: memória, ausências e dor em A imagem que falta, de Rithy Panh

open access: yesLumina, 2018
O objetivo deste artigo é explorar a relação entre imagem, identidade e memória na obra do cineasta cambojano Rithy Panh, em especial a partir de um dos seus filmes, A imagem que falta (2013).
Marcelo Gil Ikeda
doaj   +1 more source

Jungian categories as modes of reading: The case of Graham Greene's The Heart of the Matter and Aldous Huxley's Time Must Have a Stop

open access: yesOrbis Litterarum, Volume 81, Issue 2, Page 89-110, April 2026.
Abstract This essay advocates renewed attention toward Jungian literary criticism, emphasizing its unique and creative perspectives on both fictional worlds and on reading. A fresh turn to Jungian criticism offers, in particular, valuable insight for texts on the peripheries of the canon.
Edsel Parke
wiley   +1 more source

Stanley Kubrick y la espiral del tiempo

open access: yesFotocinema: Revista Científica de Cine y Fotografía, 2016
El concepto de tiempo ha suscitado diversos debates y discusiones en diferentes campos del conocimiento, entre ellos, el de la filosofía, que ha intentado conceptualizar y formular teorías que expliquen este fenómeno.
Luis Finol
doaj   +1 more source

Scary Monsters: Hybrids, Mashups, and Other Illegitimate Children [PDF]

open access: yes, 2011
Human creativity, like human reproduction, always makes new out of old in ways that copyright law has not fully recognized. The genre of vidding, a type of remix made mostly by women, demonstrates how creativity can be disruptive, and how that ...
Tushnet, Rebecca
core   +2 more sources

Aspectos poéticos em Hiroshima mon amour de Marguerite Duras

open access: yesLiteratura e Sociedade, 2020
Hiroshima mon amour é o filme de 1959, de Marguerite Duras e Alain Resnais que, sessenta anos depois, é ainda considerado inesgotável obra prima do cinema e da literatura.
Maria Cristina Vianna Kuntz
doaj  

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