Results 101 to 110 of about 2,219,379 (199)
Major influences on circus attendance. [PDF]
Although circus represents one of the most accessible art forms, the economics of the arts and culture has completely neglected to address this topic. This paper represents an attempt to fill in this lack by identifying the determinants of the demand for
Zanola, Roberto
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NICA presents Certificate IV show, GHOST IN THE MACHINE. Ghost in the Machine merged the boundaries between Humans and Machines. The Certificate IV students used movement and circus to explore how we function as cogs in the machinery of society, while ...
National Institute of Circus Arts (NICA)
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The purpose of this paper is to study the process of resurgence and redefinition of popular practices promoted in the city ofBuenos Aires,Argentina, in post- dictatorial years, through the case of circus arts. Therefore, I will first present some historical data that will enable understanding of the transitional legitimacy given to circus in the late ...
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This research investigates whether, and how, students in a circus bachelor programme learned creativity during their studies, and how they use creativity in their profession. Twelve participants were interviewed, representing six different cohorts from the University of Dance and Circus (DOCH) in Stockholm, Sweden between 2008-2018 (now Stockholm ...
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NICA 3rd year Fringe show 2024 presents: FULL DISCLOSURE, directed by Martine Howard & Katie Cawthorne. Unlocking secrets and detangling enigmas: FULL DISCLOSURE is a cerebral cabaret on a quest for truth.
National Institute of Circus Arts (NICA)
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Various historical changes have taken place since that circus, currently classified as a “traditional” circus, which was reproduced from generation to generation and characterized by its itinerancy. In these transformation processes, legitimate ways of doing circus are disputed, which, in Argentina, as well as in other territories, are characterized by
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NICA 2nd Year Ensemble: 'Le Sacré'. A collaboration between NICA 2nd Year Students and the Australian Ballet School. Witness the first collaboration of its kind in Australian performance history, presenting a combined cast of 18 circus performers and 26
National Institute of Circus Arts (NICA)
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Untangling risk factors including discipline-specific exposure for injuries in preprofessional and professional circus artists in the USA. [PDF]
Greenspan S, Stuckey MI.
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Circus art as an object of cultural studies
A. Omirbekova, B. Bokebaev
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