Results 41 to 50 of about 2,219,379 (199)
Russian philosophy and circus art
Studia Humanitatis, 2022 The leading Russian culture philosophers of the 20th century – Aleksei Losev and Gustav Shpet turned to images of circus art and eccentrics in order to explain how modern aesthetic perception works. The author proves that this appeal was not only illustrative, but had to structure the idea of culture in a new way, far from the habits of the positivist ...
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The Embodied Journey of an Idea: An Exploration of Movement Creativity in Circus Arts
The Journal of Creative Behavior, 2022 ABSTRACTKnowledge about embodied creativity is in its infancy. In circus arts, performers are nowadays ‘owning’ their creativity making this performance domain fruitful to study embodied creativity. Building on socio‐cultural creativity perspectives and radical embodied cognitive sciences, the current study aimed at exploring movement creativity by ...
Veronique Richard +2 more
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PROVINCIALISING BERLIN IN MENSCHEN IM HOTEL
German Life and Letters, Volume 79, Issue 1, Page 57-74, January 2026.ABSTRACT In this article, I take the peculiar source of Vicki Baum's Menschen im Hotel (1929) in a Southern Moravian town as a starting point to reveal the ways in which the hierarchies between metropolis and province are negotiated and complicated by the novel.
Meindert Peters
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PERIPHERY TO CENTRE STAGE: THE SARRASANI CIRCUS IN WEIMAR GERMANY
German Life and Letters, Volume 79, Issue 1, Page 16-36, January 2026.ABSTRACT The modern European circus was more than just entertainment: it was a powerful platform where fantasies of empire, ideas of national identity, and notions of racial difference came together and were put on public display. In interwar Germany, the Sarrasani Circus — the largest circus enterprise in the country at the time — built on the legacy ...
Sabine Hanke
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eJournal de la Recherche sur l'Intervention en Éducation Physique et Sport, 2015 The objective of this exploratory study is to analyze the dynamics of the improvisation of a PE teacher, in relationships with emotions and degree of specialization in APSA. Based on the framework of the "cours d’action" (Theureau, 2006), we analyzed the
Jérôme Visioli, Oriane Petiot
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Creativity in BMX: What Is It, What Does It Look Like, and What Contributes to It?
The Journal of Creative Behavior, Volume 59, Issue 4, December 2025.ABSTRACT This study explores the multifaceted nature of creativity in BMX riding by examining how riders interact with their physical and social environments to produce innovative movements and trail designs. Grounded in Perspective‐Affordance Theory and the principles of embodied cognition, the research highlights that creativity in BMX emerges from ...
David Camilleri +3 more
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National Institute of Circus Arts Showreel
, 2008 A quick preview of students from the National Institute of Circus Arts (NICA) students in action. The National Institute of Circus Arts (NICA) is a subsidiary company of Swinburne University of Technology offering professional training for students ...
National Institute of Circus Arts
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Circus: Arts, Life & Sciences, 2023 Participants in circus training programmes appear to exhibit a motivating emotion that does not correlate directly with wanting or desire, nor does their motivation appear to be derived from the avoidance of disgust or fear.
Stephen Joseph Cadwell
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Children's radical kincrafting—Riverways through care, healing, and transformation
Anthropology and Humanism, Volume 50, Issue 2, December 2025.Abstract This piece explores radical kinship through patchwork ethnography across multiple intimate and educational spaces. The style is multivocal as the work honors creative, nonlinear, and embodied ways of knowing and crafting kin relationships.
Lauren J. Silver
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Psicologia & Sociedade, 2006 A pesquisa qualitativa em tela tenta analisar o circo social cujo objetivo refere-se à inclusão social de jovens das periferias através das artes do circo.
Lilia Lobo, Tiago Cassoli
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