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The work of Hélène Cixous exhibits a constant desire to mix diction with fiction, yet challenges the mimetic paradigm. With this in mind, the interface between fiction and diction elucidates the presence of the narrative.
Maxime Decout
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The work of Hélène Cixous exhibits a constant desire to mix diction with fiction, yet challenges the mimetic paradigm. With this in mind, the interface between fiction and diction elucidates the presence of the narrative. Abundant metatextuality heightens this existence.
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Hélène Cixous: la escritura como deseo de alteridad [PDF]
En “Salidas”, el célebre artículo de Hélène Cixous, publicado en 1975, que se ha convertido en una de las obras fundamentales de la teoría feminista contemporánea, la autora indaga el vínculo entre falocentrismo y logocentrismo.
Aránzazu Hernández Piñero
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Contested psychiatric ontology and feminist critique: 'Female Sexual Dysfunction' and the Diagnostic and Statistical Manual. [PDF]
In this article I discuss the emergence of Female Sexual Dysfunction (FSD) within American psychiatry and beyond in the postwar period, setting out what I believe to be important and suggestive questions neglected in existing scholarship.
Angel K.
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Hélène Cixous, Laida Lertxundi, and the Fruits of the Feminine
In the fields of experimental writing and experimental filmmaking, respectively, Hélène Cixous and Laida Lertxundi gather images of fruits: apples, oranges and lemons. Although Cixous and Lertxundi are well-known for seeking something of the feminine for
Laura Staab
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Reaching the point of wheat, or portrait of the artist as a Maturing Woman
Sem ...
Hélène Cixous
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I Problems; Blindness and Autobiography
The literary genre of autobiography dates back to the 18th century, when philosophy became a type of anthropology, archives and case histories strengthened the grasp of discourse over life, and modern authorship and hermeneutics led to new modes of ...
Dennis Schep
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The Ends of an Idiom, or Sexual Difference in Translation
In “The Ends of an Idiom: ‘Sexual Difference’ in Translation,” Anne Emmanuelle Berger reflects on the different uses and meanings of the notion of “sexual difference” in the Francophone and Anglophone worlds.
Anne-Emmanuelle Berger
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"Following the Traces of Feminine Writing in Adrienne Rich"
The phallogocentric stucture of language privileges the male in construction of meaning throughout the patriarchal society which allows no place for feminine writing.
Soghra Nodeh, Farideh Pourgiv
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Meduza na strychu. O teorii i praktyce procesu twórczego
Manifest Hélène Cixous Śmiech Meduzy po raz pierwszy został opublikowany w 1975 roku i od razu stał się jednym z najczęściej przywoływanych tekstów dotyczących écriture féminine – pisarstwa kobiecego.
Sylwia Chutnik
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