Results 131 to 140 of about 1,298 (180)
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Clinics in Podiatric Medicine and Surgery, 1986
Dancers are an interesting and exciting group of patients. Those clinicians interested in treating their musculoskeletal disorders should, among other things, be familiar with the construction and function of the pointe shoe and have an understanding of what a dancer does with that shoe.
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Dancers are an interesting and exciting group of patients. Those clinicians interested in treating their musculoskeletal disorders should, among other things, be familiar with the construction and function of the pointe shoe and have an understanding of what a dancer does with that shoe.
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Behavioral Coaching in Classical Ballet
Behavior Modification, 1983A review of the literature indicates the usefulness of operant methods to develop or enhance sports skills. This study extended the use of this approach to the acquisition of correct ballet skills by four subjects in a ballet class. Using a single case design, behavioral coaching was compared to the ballet instructor's method.
James M. Fitterling, Teodoro Ayllon
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Medical and Rehabilitation Issues in Classical Ballet
American Journal of Physical Medicine & Rehabilitation, 2002Classical ballet is a demanding professional occupation, with participants who are often underserved in terms of accurate diagnosis and appropriate comprehensive medical care. The view that follows is designed to be as global and insightful as published to date.
Michael F, Stretanski, G J, Weber
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Trigger toe in classical-ballet dancers
Archives of Orthopaedic and Traumatic Surgery, 1985Classical ballet involves extreme physical demands on the body--in part, strains beyond the physiological limits. Balance on the tips of the toes en pointe means extreme plantar flexion of the ankle and first toe in the weight-bearing position. We have treated two cases of stenosing tendovaginitis of the flexor hallucis longus tendon.
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Is the Symmetry of Classical Ballet Positions Perfect?
Medical Problems of Performing Artists, 2023OBJECTIVE: It is expected that in classical ballet dancers would be able to execute all the techniques symmetrically from the right as well as from the left side of the body. This study aimed to evaluate the symmetry of kinematic parameters of hip joints, knee joints, and foot progression angle of the left and right lower extremities (LE) in five ...
Joanna, Gorwa +4 more
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Differentials in Turnout Among Professional Classical Ballet Dancers
Medical Problems of Performing Artists, 2016BACKGROUND: Screening and training of professional dancers is commonly based around beliefs that a large range of turnout is more advantageous in the ballet industry. This belief leads dancers who have limited hip external rotation to compensate by forcing turnout at the knee and ankle, which has been linked to injury.
Washington, Isobel +3 more
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Kinematic Evaluation of the Classical Ballet Step “Plié”
Journal of Dance Medicine & Science, 2015Lack of alignment between the lowerlimb structures, such as the hips, knees, and longitudinal arches of the feet, has been described as an important predisposing factor in musculoskeletal injury among classical ballet dancers. However, no studies were found that analyzed basic ballet movements with quantification of objective criteria of the movements.
Kaanda Nabilla Souza, Gontijo +4 more
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The physical features suitable for classical ballet training
Journal of Back and Musculoskeletal Rehabilitation, 2019OBJECTIVE: The aim of this study was to determine the prerequisite physical features of classical ballet education. METHODS: Students who enrolled and were rejected for the applications of State Conservatory Ballet Main Art Branch in the academic year 2013–2014 and 2014–2015 were compared with their exam results.
Uygur A.G. +3 more
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Strategies for Staging Classical Ballet Repertoire
Dance Education in Practice, 2020ABSTRACTThis article advocates for the importance of mounting full-length works of the standard classical ballet repertoire for the benefits of audience members and performers.
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2007
A companion guide to one of the bestselling Limelight Edition titles, this book by Asaf Messerer, a founder of what has become known as the Bolshoi School, is one of the most celebrated manuals of classic dance instruction in the world. Messerer has gained an international reputation for his classes in classical technique-models of invention and well ...
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A companion guide to one of the bestselling Limelight Edition titles, this book by Asaf Messerer, a founder of what has become known as the Bolshoi School, is one of the most celebrated manuals of classic dance instruction in the world. Messerer has gained an international reputation for his classes in classical technique-models of invention and well ...
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