Results 131 to 140 of about 1,335 (175)
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Behavioral Coaching in Classical Ballet
Behavior Modification, 1983A review of the literature indicates the usefulness of operant methods to develop or enhance sports skills. This study extended the use of this approach to the acquisition of correct ballet skills by four subjects in a ballet class. Using a single case design, behavioral coaching was compared to the ballet instructor's method.
James M. Fitterling, Teodoro Ayllon
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Is the Symmetry of Classical Ballet Positions Perfect?
Medical Problems of Performing Artists, 2023OBJECTIVE: It is expected that in classical ballet dancers would be able to execute all the techniques symmetrically from the right as well as from the left side of the body. This study aimed to evaluate the symmetry of kinematic parameters of hip joints, knee joints, and foot progression angle of the left and right lower extremities (LE) in five ...
Joanna, Gorwa +4 more
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Trigger toe in classical-ballet dancers
Archives of Orthopaedic and Traumatic Surgery, 1985Classical ballet involves extreme physical demands on the body--in part, strains beyond the physiological limits. Balance on the tips of the toes en pointe means extreme plantar flexion of the ankle and first toe in the weight-bearing position. We have treated two cases of stenosing tendovaginitis of the flexor hallucis longus tendon.
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2007
A companion guide to one of the bestselling Limelight Edition titles, this book by Asaf Messerer, a founder of what has become known as the Bolshoi School, is one of the most celebrated manuals of classic dance instruction in the world. Messerer has gained an international reputation for his classes in classical technique-models of invention and well ...
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A companion guide to one of the bestselling Limelight Edition titles, this book by Asaf Messerer, a founder of what has become known as the Bolshoi School, is one of the most celebrated manuals of classic dance instruction in the world. Messerer has gained an international reputation for his classes in classical technique-models of invention and well ...
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The physical features suitable for classical ballet training
Journal of Back and Musculoskeletal Rehabilitation, 2019OBJECTIVE: The aim of this study was to determine the prerequisite physical features of classical ballet education. METHODS: Students who enrolled and were rejected for the applications of State Conservatory Ballet Main Art Branch in the academic year 2013–2014 and 2014–2015 were compared with their exam results.
Uygur A.G. +3 more
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Kinematic Evaluation of the Classical Ballet Step “Plié”
Journal of Dance Medicine & Science, 2015Lack of alignment between the lower-limb structures, such as the hips, knees, and longitudinal arches of the feet, has been described as an important predisposing factor in musculoskeletal injury among classical ballet dancers. However, no studies were found that analyzed basic ballet movements with quantification of objective criteria of the movements.
Kaanda Nabilla Souza, Gontijo +4 more
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Kinematics of the Lumbar Spine During Classic Ballet Postures
Medical Problems of Performing Artists, 2004Postural characteristics and three-dimensional (3D) kinematics of the lumbar spine were examined during classic ballet gestures in 25 expert dancers (17 females, 8 males; mean age, 21 ± 4 yrs). The 3D displacements of the thorax to the pelvis were sampled with a 3D-electrogoniometer during right and left arabesque, developpe a la seconde, and pied-en ...
Feipel, Véronique +4 more
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100 Lessons in Classical Ballet
2004The complete 8-year curriculum of Leningrad's famed Vaganova Choreographic School, which trained Nureyev, Baryshnikov, and Makarova, including over 100 photographs. A volume which no teacher, scholar, or student of the dance can afford to miss.
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Australian family physician, 1985
The specialised medical knowledge about dancers' injuries is negligible compared with that which surrounds sports medicine. The author discusses his experience in the management of more than 2000 injuries sustained by dancers of classical ballet.
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The specialised medical knowledge about dancers' injuries is negligible compared with that which surrounds sports medicine. The author discusses his experience in the management of more than 2000 injuries sustained by dancers of classical ballet.
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A Transmission from the Classic Ballet to the Neo-Classicism Ballet
Dance Research Journal of Dance, 2020openaire +1 more source