Results 121 to 130 of about 1,080 (183)
The Neural Markers of Perceptual Uncertainty/Curiosity-A Functional Near-Infrared Spectroscopy Pilot Study. [PDF]
Korniluk A, Gawda B, Chojak M, Gawron A.
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A quantum microtubule substrate of consciousness is experimentally supported and solves the binding and epiphenomenalism problems. [PDF]
Wiest MC.
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Watching live performances enhances subjective and physiological emotional responses compared to viewing the same performance on screen. [PDF]
Gabriel D +4 more
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CLASSICAL GUITAR TRAINING BASED ON KODALY APPROACH: REVIEW OF THE “JIGSAW GUITAR
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Circuit based classical guitar model
Applied Acoustics, 2015Abstract With the growth of electronic gaming, personal electronics and the widespread creation and distribution of digital music, the ability to synthesize realistic instrument sounds is becoming more important. In particular, the ability to synthesize guitar sounds is necessary for a variety of applications.
Jingeol Lee, Mark French
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Subjective evaluation of classical guitars
The Journal of the Acoustical Society of America, 1997An analysis is presented of two methods for the subjective evaluation of a set of classical guitars. One is based on ‘‘blind’’ listening tests by a general audience, and another is based on direct inspection and playing by guitar teachers and students. Subjective experiments reveal that the two types of tests produce essentially the same sorting of the
Felipe Orduña-Bustamante +1 more
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Classical guitar intonation and compensation: The well-tempered guitar
The Journal of the Acoustical Society of AmericaAn intuitive model of classical guitar intonation is presented that includes the effects of the resonant length of the fretted string, linear mass density, tension, and bending stiffness. An expression is derived for the vibration frequencies of a stiff string using asymmetric boundary conditions at the saddle and the fret.
M. B. Anderson, R. G. Beausoleil
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Modal analysis of a classical guitar
The Journal of the Acoustical Society of America, 2002Using holographic interferometry, we have determined the modes of vibration of a classical guitar (by the first author) having an asymmetrically-braced top plate and a crossed braced back of unique design. The vibrational modes and acoustical properties are compared with other classical guitars.
David Cohen, Thomas D. Rossing
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The Classical Guitar Companion
2019Abstract The Classical Guitar Companion is an anthology of exercises, études, and pieces organized according to technique or musical texture. Students are encouraged to work in multiple chapters, simultaneously depending on advice from a teacher or their own assessment of what they need.
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