Results 11 to 20 of about 166 (129)
Revista Vortex, 2023 Nos últimos anos, o violão vem progressivamente ganhando espaço qualitativo e quantitativo em pesquisas e publicações científicas da área musical. No Brasil, de modo especial, este crescimento tem encontrado ressonância em uma plêiade de pesquisadores(as)
Humberto Amorim +3 more
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Per Musi, 2021 The main objective of this article is to approach the concept of idiomatism in the context of classical guitar (violão) composition, through the analysis of works by guitarist composers who resorted to aspects of the construction and practice of the ...
Pedro Loch Gonçalves +1 more
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PERTUNJUKAN MUSIK GRANDE OUVERTURE, ASTURIAS, DAN KARAK LILISAN DALAM SOLO GITAR
Puitika, 2016 Musical performances Grande Ouverture, Asturias, and Karak Lilisan in a guitar solo is instrumental performances by classical guitar performer who puts as the sole major player in a musical performance. A performances that shows the maturity of the skill
Supriando Supriando
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The Patterns of Music Learning in Phenomena of Valerio International Guitar Festival
Harmonia: Journal of Arts Research and Education, 2022 This study aims to reveal the finalists’ learning patterns and outcomes at the 2018 Valerio International Guitar Festival. It is qualitative research with the phenomenological approach. It was conducted in the final round of the open category of the 2018
Birul Walidaini +2 more
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Analysis and Performance Suggestions of Frank Martin’s Quatre Pieces Breves
KonservatoryumSwiss composer Frank Martin’s Quatre Pieces Breves for solo guitar composed in 1933 has a very important place in the classical guitar repertoire. Modern compositional methods which were frequently used by composers especially in the early 20th century ...
Serkan Ağır
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SPECIFIC SOUND PRODUCTION TECHNIQUES IN ACADEMIC GUITAR MUSIC
Studia Universitatis Babeş-Bolyai. Musica, 2022 The article is focused on the problematic research area in the borderline between performance, musical and composer’s interests in academic guitar music.
Tymur IVANNIKOV, Tetiana FILATOVA
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Multiphonics as a compositional element in writing for amplified guitar (2)
Journal of Science and Technology of the Arts, 2012 Multiphonics on the classical guitar is currently being researched by the present authors in regard to the reproducibility of the sounds originated and the suitability of the technique as a compositional element in writing for amplified guitar.
Rita Torres, Paulo Ferreira-Lopes
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Ryuji Kunimatsu Guitar Arrangement on the Oblivion by Astor Piazzolla: A Critical Analysis
Harmonia: Journal of Arts Research and Education, 2021 This study examined the characteristics of Kunimatsu’s guitar arrangements in Astor Piazzolla’s Oblivion by comparing aspects of musical form, melody, and harmony.
Andre Indrawan +3 more
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EVALUATION OF RESIDUAL STRAINS ON ACOUSTIC QUALITY OF GUITAR [PDF]
Pro Ligno, 2015 This paper aims to assess how the residual deformations of the guitar neck influence the quality of the musical instrument, knowing that wood is a material whose rheological behavior is influenced by many factors, including humidity, temperature ...
Mariana Domnica STANCIU +3 more
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Revista Vortex, 2023 We present a composition for solo classical guitar. This work comprises four pieces in 3/4 that share the same harmony, but the composition restrictions differ for each. The results are four distinct "waltz" movements.
Angel Tateishi +2 more
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