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Classical Music as Protest Music
Abstract Focusing on Beethoven’s Ninth Symphony, this chapter discusses the potential of classical music of the Western canon to signify a protest against an authoritarian power. It explores two contradictory beliefs: one that ties the political meaning of a music work to the context of its performance, the other that postulates an ...openaire +1 more source
Teaching Music Musically (Classic Edition)
2011'There are countless gems within these pages ... Swanwick seems to write from more experience as a musician and teacher than most others who write for this audience. There is a real sense of his having been there. - Patricia Shehan Campbell, Professor of Music, University of Washington, USA'...
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2016
Sunday Times Best Reads of 2016How and why do listeners come over time to 'feel the nation' through particular musical works? This book develops a comparative analysis of the relationship between western art music, nations and nationalism. It explores the influence of emergent nations and nationalism on the development of classical music in Europe and
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Sunday Times Best Reads of 2016How and why do listeners come over time to 'feel the nation' through particular musical works? This book develops a comparative analysis of the relationship between western art music, nations and nationalism. It explores the influence of emergent nations and nationalism on the development of classical music in Europe and
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All music guide to classical music: the definitive guide to classical music
Choice Reviews Online, 2006openaire +1 more source
Music Listening in Classical Concerts: Theory, Literature Review, and Research Program
Frontiers in Psychology, 2021Melanie Wald-Fuhrmann +2 more
exaly
2017
Contents: Introduction Part I Style and Purpose: Appraising 18th and 19th Century Aesthetics: Performing Classical repertoire: the unbridgeable gulf between contemporary practice and historical reality, Clive Brown Mozart as early music: a Romantic antidote, Laurence Dreyfus Listening and responding to the evidence of early 20th-century performance ...
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Contents: Introduction Part I Style and Purpose: Appraising 18th and 19th Century Aesthetics: Performing Classical repertoire: the unbridgeable gulf between contemporary practice and historical reality, Clive Brown Mozart as early music: a Romantic antidote, Laurence Dreyfus Listening and responding to the evidence of early 20th-century performance ...
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