Results 81 to 90 of about 2,570,442 (291)
This framework transposes the perfumery olfactory pyramid to whisky maturation by sequencing aromas into top, heart, and base notes according to their temporal persistence. Using Log P as a behaviour‐based classification axis and oak macromolecules as natural fixative analogues, it proposes a behaviour‐based aromatic wheel bridging flavour chemistry ...
Magali Picard
wiley +1 more source
A CNN-Based Approach for Classical Music Recognition and Style Emotion Classification
Music recognition refers to the process of automatically recognizing and classifying the musical content in audio signals using computer technology and algorithms. Music recognition technology can help people recognize information such as the music title,
Yawen Shi
doaj +1 more source
ABSTRACT This study explores incidental learning among physicians navigating uncertainty during the COVID‐19 pandemic. Using a constructivist research design, we conducted a literature review of 13 empirical studies on incidental learning in complexity and analyzed critical incident interviews with 12 emergency medicine and intensive care physicians ...
Henriette Lundgren +4 more
wiley +1 more source
Gender and the Classical Music World: the unaccomplished professionalization of women in Italy
The inclusion of women within the music profession is a recent and not fully realized process. This also holds true for classical music, where femininization has been more pronounced than in other music worlds.
Clementina Casula
doaj +1 more source
ABSTRACT This article discusses prize‐creation and prize‐allocation. Such activities may seem morally neutral, or perhaps even beneficial. A central thesis of this article is that such practices have significant moral implications and should be brought under the remit of moral reasoning.
Federico Luzzi
wiley +1 more source
For soprano saxophone or clarinet, duration 5 minutes. Two pieces as follows: 1) Trier (2000); 2) Memorial (1995). Both works were premiered in London by Martin Robertson (soprano saxophone), Memorial on 16 February 1998 at the Purcell Room, and Trier on
Turnage, M.-A.
core +4 more sources
All these singing acts of Odissi music are sung on the basis of some specific ‘gamak’. A particular vibration that is created by a tune (swara) is called ‘gamak’. It has been written in Sanskrit as such: “Swarasya kampai gamakah”. From this vibration of the tune only a style of the music is differentiated from other style of music and soon after ...
openaire +1 more source
ABSTRACT In popular discourse and in the philosophical literature there is almost no reflection on the morality of doing harm in the context of doing one's job. To the contrary, workers are valorised simply for having a job, and typically individual workers are spared from blame, even when they cause significant harm as part of their job.
Theron Pummer, Benjamin Sachs‐Cobbe
wiley +1 more source
This article proposes viewing classical music in North America as a “living heritage art form” that acknowledges the deep foundational roots of classical music, similar to how all forms of world heritage are constructed while recognizing that classical ...
Henry C.H. Shiu
doaj +1 more source
Modes of Engagement with Classical Music: Digital Formats
At the start of the COVID-19 pandemic, orchestras had to swiftly engage with new formats to connect with their audiences. As a result, during the pandemic, there has been an eruption of performances delivered in digital formats. Orchestras launched their
Colotti, C.
core +1 more source

