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2017
This chapter examines the paintings of John Frederick Peto, whose “letter rack” depictions constitute melancholic acts of remembering transacted through the arrangement of abandoned objects. Insofar as Peto theorizes memory through the genre of trompe l’oeil, he provokes questions concerning the extent to which recollection entails fabrication, and ...
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This chapter examines the paintings of John Frederick Peto, whose “letter rack” depictions constitute melancholic acts of remembering transacted through the arrangement of abandoned objects. Insofar as Peto theorizes memory through the genre of trompe l’oeil, he provokes questions concerning the extent to which recollection entails fabrication, and ...
+5 more sources