A Reading of Coffee House Painting and Murals of Isfahan School Based on the Concept of Conversation in Gadamer's Modern Hermeneutic Theory [PDF]
نگره, 2023 With the beginning of the constitutional movement and social changes, a new chapter in the history of Iranian painting was opened. The history of Iran after constitutionalism was full of conflicts between tradition and modernity, and the idea of ...
Elham Taherian +2 more
doaj +1 more source
Identifying Visual and Graphic Arts Affecting the Murals of Religious Monuments of Qajar Era (Case Study: Moaven-Al Molk’s Tekiye of Kermanshah) [PDF]
هنر اسلامی, 2022 Murals are considered as alternative for beautifying the architectural facade in the Qajar era. Therefore tiling as one of the main decorations of Iranian and Islamic architecture can be seen in most religious monuments such as Tekiyes, and Moaven-Al ...
Atieh Youzbashi +2 more
doaj +1 more source
Study of the Structural Elements of the Painting of the Great Dervish Curtain of the Qajar Period based on the Historiography of the Old and the New Sections in the Astan Quds Museum [PDF]
نگره, 2021 Dervish curtain is a painting that deals with the events of Ashura and is different from a coffee house painting. The Dervish curtains were very large and were prepared for the official mourning of the Shah.
Elaheh Panjehbashi
doaj +1 more source
Study of the role of women in the martial works of Hussein Qollar Aghasi in the Coffee painting of house [PDF]
زن در فرهنگ و هنر, 2020 : the coffee painting is a style of painting that began by the painters of the school . one of the characteristics of the coffee painting arts is the presence of women in these pictures .
Elahe Panjebashi, Anita Sanei
doaj +1 more source
Analysis of Third Space Possibility in Iranian Contemporary Painting Based on the Homi K. Bhabha `s Post-Colonial Thoughts [PDF]
نگره, 2020 Homi K. Bhabha is a Professor of English and American Literature and Language, and one of the most important figures in contemporary post-colonial studies who has developed a number of the field's neologisms and key concepts, such as hybridity, mimicry ...
Sediqeh Pourmokhtar, Mohsen Marasy
doaj +1 more source
Comparative Study of Religious Narration of Gothic and Coffee House Paintings [PDF]
نگره, 2018 Religious art is rooted in theology and teachings of the same religion, such as the religious Coffee House painting and also the Gothic painting. School of Coffee House painting was formed and became widespread in the late 13th and early 14th century AD.
azam hakim, Abolghasem Dadvar
doaj +1 more source
Bulletin KNOB, 2022 In the middle of the eighteenth century, the so-called Koopmanshuis (Merchant’s House) at Rechter Rottekade 405-407 in Rotterdam underwent a substantial renovation that resulted in the present facade, staircase, and first-floor reception room with ...
Jojanneke Clarijs
doaj +1 more source
The Trend of Transformation in Islamic Iconography of Iran; from Transcendental to assimilation Approach [PDF]
نگره, 2016 : Religious iconography in Islamic Iran is one of the most important Shiite arts. The history of this art in Iran signifies it`s transcendental approach to depict sacred characters pure and consider them far from worldliness.
Seyedeh Razieh Yasini
doaj +1 more source
To study the objective and figurative representation of the heavenly contexts in Iranian Islamic art [PDF]
نگره, 2017 Iranian religious art has avoided any figurative representation following the expression of the exalted order. The religious topics and otherworldly affairs were restricted due to the necessity of the figurative representations and narrative atmosphere ...
Najibeh Rahmani +2 more
doaj +1 more source
The Role of the Minstrel and the Quote of the Painter: Interaction of Performative Elements, Visual Elements and the Creation of Multi-field Space in the Field Pardeh-Khani [PDF]
نگره, 2019 In pre-Islamic Iran, narration (Naqqali) was considered as one of the varieties of storytelling, sometime accompanied by music. After Islam's dominance in Iran, narration was one of the few artistic and performative genres that were left out of religious
Leila Galehdaran, Reza Pourzarrin
doaj +1 more source