Results 11 to 20 of about 645,672 (268)

Collector and philatelic press in the RSFSR/USSR during the first half of the 1920s: From pluralism to monopolism

open access: yesУченые записки Казанского университета: Серия Гуманитарные науки, 2020
Periodicals is a “mirror” of society. On the one hand, they reflect the social and cultural climate of a particular historical epoch. On the other one, retain the memory of the past times.
A.V. Yakub, N.V. Yakub
doaj   +1 more source

The Biennial and the Museu de Arte Moderna de São Paulo: Micro-Histories of a Modernist Collection

open access: yesOBOE, 2023
This article aims to contribute to the interpretation of artworks from the collection of the Museu de Arte Moderna de São Paulo (MAM-SP), which originated in the 1950s iterations of the Bienal de São Paulo.
Ana Gonçalves Magalhães
doaj   +1 more source

The collector Jindřich Waldes and the curator Jan Hofman: One museum, two approaches [PDF]

open access: yesMuzeológia a Kultúrne Dedičstvo, 2023
The study deals with an aspect not considered until now in relation to the Waldes Museum of Buttons and Fasteners, existing in Prague-Vršovice between 1916 and 1945, founded at the initiative of Prague industrialist, collector, and patron of the arts ...
Hrušková, Kateřina
doaj   +1 more source

Digital Collections and Digital Collecting Practices [PDF]

open access: yesProceedings of the 33rd Annual ACM Conference on Human Factors in Computing Systems, 2015
Reference is increasingly made to ‘digital collections’, yet this term encompasses accumulated digital objects of varying form, purpose and value. We review social science literature on mate-rial collections and draw from in-depth interviews with 20 peo-ple in the UK in order to offer a clearer understanding of what constitutes a digital collection and
Rebecca D. Watkins   +2 more
openaire   +1 more source

Who were the Professional North American Archaeologists of 1900? Clues from the Work of Warren K. Moorehead

open access: yesBulletin of the History of Archaeology, 2011
It is generally agreed that the period around the end of the nineteenth and beginning of the twentieth centuries was one when the term ‘professional’ could be applied to a significant number of North American archaeologists
Andrew L. Christenson
doaj   +1 more source

REVIEW | Vinyl Freak: Love Letters to a Dying Medium [PDF]

open access: yesIASPM Journal, 2018
John Corbett Durham: Duke University Press, 2017 ISBN: 9780822363668 (PB)
Nabeel Zuberi
doaj   +1 more source

Coupling Solvent Extraction Units to Cyclic Adsorption Units

open access: yesInternational Journal of Chemical Engineering, 2018
The possibility of regenerating the solvent of extraction units by cyclic adsorption was analyzed. This combination seems convenient when extraction is performed with a high solvent-to-impurity ratio, making other choices of solvent regeneration ...
Mariana Busto   +2 more
doaj   +1 more source

“Guanchinescan Antiquities”. Commerce and collecting of archeological remains from the Canary Islands

open access: yesCulture & History Digital Journal, 2016
The aim of this paper is a long-term examination of the history of the collecting of material culture and bio-anthropological remains from the Canary Islands ancient settlers since the 18th century onward.
Carmen Ortiz García
doaj   +1 more source

De Lisboa ao Rio de Janeiro: a trajetória da Coleção Diogo Barbosa Machado From Lisbon to Rio de Janeiro: the trajectory of Diogo Barbosa Machado's Collection

open access: yesVaria História, 2012
Neste artigo, estuda-se a coleção de mapas, folhetos e imagens montadas pelo abade português Diogo Barbosa Machado no século XVIII. Inicialmente, é elaborada uma tipologia dessa coleção, buscando aproximá-la e diferenciá-la de outras de sua época.
Ana Paula Sampaio Caldeira
doaj   +1 more source

Collective Collecting

open access: yesVIEW Journal of European Television History and Culture, 2018
Massive digitization makes histories appear as well as disappear. While digital archives facilitate the access to documents, recordings, films, and other s urces there is the risk that offlin sources get lost. Thus, the question about how digital collections are generated is essential for today’s film and media historians.
Dang, Sarah-Mai, Strohmaier, Alena
openaire   +6 more sources

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