Results 171 to 180 of about 1,786,078 (217)
Some of the next articles are maybe not open access.
Science, 1960
A procedure is described which leads to reports of hues for two black figures, one of which is shadowed. Typically, the shadowed figure is seen as blue, the other as black.
openaire +3 more sources
A procedure is described which leads to reports of hues for two black figures, one of which is shadowed. Typically, the shadowed figure is seen as blue, the other as black.
openaire +3 more sources
The Journal of General Psychology, 1957
(1957). Colors and the Color-Blind. The Journal of General Psychology: Vol. 57, No. 2, pp. 229-240.
P R, HOFSTAETTER, D W, PRIMAC
openaire +2 more sources
(1957). Colors and the Color-Blind. The Journal of General Psychology: Vol. 57, No. 2, pp. 229-240.
P R, HOFSTAETTER, D W, PRIMAC
openaire +2 more sources
Cut-Colorings in Coloring Graphs
Graphs and Combinatorics, 2018zbMATH Open Web Interface contents unavailable due to conflicting licenses.
Bhakta, Prateek +5 more
openaire +2 more sources
2000
<p>The development of terminology of color perception based on common experience has led to a science of color description and measurement. The precise measurement of color is of significance in many branches of science and technology. It serves as a record for archival description, for standardization purposes, and for matching and controlling ...
openaire +1 more source
<p>The development of terminology of color perception based on common experience has led to a science of color description and measurement. The precise measurement of color is of significance in many branches of science and technology. It serves as a record for archival description, for standardization purposes, and for matching and controlling ...
openaire +1 more source
Color memory and color constancy
Journal of the Optical Society of America A, 1996Color constancy is the perceived stability of the color of objects despite changes in the light illuminating them. An object's color is considered constant if the current perceived color is judged to be in accord with the remembered one. Thus the accuracy and precision of color memory are fundamental to understanding this classic problem.
E W, Jin, S K, Shevell
openaire +2 more sources
Entropy, color, and color rendering
Journal of the Optical Society of America A, 2012The Shannon entropy [Bell Syst. Tech J.27, 379 (1948)] of spectral distributions is applied to the problem of color rendering. With this novel approach, calculations for visual white entropy, spectral entropy, and color rendering are proposed, indices that are unreliant on the subjectivity inherent in reference spectra and color samples.
openaire +2 more sources
Coloring with three‐colored subgraphs
Journal of Graph Theory, 2003AbstractLet f(n) be the minimum number of colors required to color the edges of Kn,n such that every copy of K3,3 receives at least three colors on its edges. We prove that $$(0.62+o(1))\sqrt{n}< \, f(n)< \, (1+o(1))\sqrt{n}$$, where the upper bound is obtained by an explicit edge‐coloring.
openaire +1 more source
2016
Taken design research in the direction of examining the surfaces of things. In his design courses, Albers defines them “the skins of materials”. These interfaces – in which are concentrated all the sensory implications of objects – determine, together with form, the sense of pleasure, a value that today seems to be prevalent in the multitude of objects
openaire +1 more source
Taken design research in the direction of examining the surfaces of things. In his design courses, Albers defines them “the skins of materials”. These interfaces – in which are concentrated all the sensory implications of objects – determine, together with form, the sense of pleasure, a value that today seems to be prevalent in the multitude of objects
openaire +1 more source
2010
Nel linguaggio comune il Colore si riferisce a una speciale qualità visiva di un oggetto, percepita alla luce naturale: “la luce rapida Piove di cosa in cosa, E i color vari suscita Dovunque si riposa” . Il Colore è, in effetti, “termine indicante, in fisica, sia la sensazione fisiologica che si prova sotto l’effetto di luci di diversa qualità e ...
openaire +2 more sources
Nel linguaggio comune il Colore si riferisce a una speciale qualità visiva di un oggetto, percepita alla luce naturale: “la luce rapida Piove di cosa in cosa, E i color vari suscita Dovunque si riposa” . Il Colore è, in effetti, “termine indicante, in fisica, sia la sensazione fisiologica che si prova sotto l’effetto di luci di diversa qualità e ...
openaire +2 more sources