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Journal of American Folklore, 2021
Plot Summary Fourteen year old Celie has led a very rough life. Her mother is very sick, and when she goes to visit the doctor Celie is left alone with her father, Fonso. While the mother is gone, Fonso rapes Celie. Celie's mother dies soon after and now
Kimber Thomas
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Plot Summary Fourteen year old Celie has led a very rough life. Her mother is very sick, and when she goes to visit the doctor Celie is left alone with her father, Fonso. While the mother is gone, Fonso rapes Celie. Celie's mother dies soon after and now
Kimber Thomas
semanticscholar +1 more source
Color memory and color constancy
Journal of the Optical Society of America A, 1996Color constancy is the perceived stability of the color of objects despite changes in the light illuminating them. An object's color is considered constant if the current perceived color is judged to be in accord with the remembered one. Thus the accuracy and precision of color memory are fundamental to understanding this classic problem.
E W, Jin, S K, Shevell
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Entropy, color, and color rendering
Journal of the Optical Society of America A, 2012The Shannon entropy [Bell Syst. Tech J.27, 379 (1948)] of spectral distributions is applied to the problem of color rendering. With this novel approach, calculations for visual white entropy, spectral entropy, and color rendering are proposed, indices that are unreliant on the subjectivity inherent in reference spectra and color samples.
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Science, 1960
A procedure is described which leads to reports of hues for two black figures, one of which is shadowed. Typically, the shadowed figure is seen as blue, the other as black.
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A procedure is described which leads to reports of hues for two black figures, one of which is shadowed. Typically, the shadowed figure is seen as blue, the other as black.
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Color in the Dreams of the Color-Blind
The Psychoanalytic Quarterly, 1982This paper attempts to illustrate how three color-blind patients utilized color in their dreams in such a manner as to actively deny their visual defect. These patients had displaced to the eyes some critical conflicts about other body parts. The use of color to deny color blindness thus further served to deny other physical defects, both real and ...
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A New Payload Partition Strategy in Color Image Steganography
IEEE transactions on circuits and systems for video technology (Print), 2020In traditional steganographic schemes, RGB three channels payloads are assigned equally in a true color image. In fact, the security of color image steganography relates not only to data-embedding algorithms but also to different payload partition.
Xin Liao +4 more
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THE COLORING OF THE TREE OF COLORINGS
Advances and Applications in Discrete Mathematics, 2022Cherniavsky, Yonah, Jarden, Adi
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Coloring with three‐colored subgraphs
Journal of Graph Theory, 2003AbstractLet f(n) be the minimum number of colors required to color the edges of Kn,n such that every copy of K3,3 receives at least three colors on its edges. We prove that $$(0.62+o(1))\sqrt{n}< \, f(n)< \, (1+o(1))\sqrt{n}$$, where the upper bound is obtained by an explicit edge‐coloring.
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2000
<p>The development of terminology of color perception based on common experience has led to a science of color description and measurement. The precise measurement of color is of significance in many branches of science and technology. It serves as a record for archival description, for standardization purposes, and for matching and controlling ...
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<p>The development of terminology of color perception based on common experience has led to a science of color description and measurement. The precise measurement of color is of significance in many branches of science and technology. It serves as a record for archival description, for standardization purposes, and for matching and controlling ...
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October, 2015
This text was originally published as part of Ferreira Gullar's 1959–60 serialized history of modern art published in the Sunday supplement of the Jornal do Brasil. Following on the heels of a previous entry that traced the move from the plane to the “non-object” in the recent work of Lygia Clark, Gullar turns his attention here to color as a ...
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This text was originally published as part of Ferreira Gullar's 1959–60 serialized history of modern art published in the Sunday supplement of the Jornal do Brasil. Following on the heels of a previous entry that traced the move from the plane to the “non-object” in the recent work of Lygia Clark, Gullar turns his attention here to color as a ...
openaire +1 more source