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2021
Non-geographical communities of comic book fans become most visible when they gather together at conventions. These events are an opportunity for fandoms to share values and experiences. But do they exist to serve pre-existing communities, or do they create a sense of community amongst the participants, regardless of their particular fandom(s)? In this
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Non-geographical communities of comic book fans become most visible when they gather together at conventions. These events are an opportunity for fandoms to share values and experiences. But do they exist to serve pre-existing communities, or do they create a sense of community amongst the participants, regardless of their particular fandom(s)? In this
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Proceedings of the 12th International Conference on Interaction Design and Children, 2013
During a weeklong design thinking camp, youth ages 11-14 created comic books. This activity served as a "take away" product used as a tool for reflection and representation of their experiences. Together, students in design teams documented the week's activities using an iPod touch, generating the media they then included in comic books created using ...
Shelley Goldman, Molly Bullock
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During a weeklong design thinking camp, youth ages 11-14 created comic books. This activity served as a "take away" product used as a tool for reflection and representation of their experiences. Together, students in design teams documented the week's activities using an iPod touch, generating the media they then included in comic books created using ...
Shelley Goldman, Molly Bullock
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Humor - International Journal of Humor Research, 2010
AbstractIn the face of some people's naive enthusiasm about the benefits of humor, Victor Raskin (Is humor always good for you?, Oklahoma, 1997) has explored the question “Is humor always good for you?” Rod Martin (Psychological Bulletin 12: 504–519, 2001) has shown how some kinds of humor foster unhealthy attitudes.
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AbstractIn the face of some people's naive enthusiasm about the benefits of humor, Victor Raskin (Is humor always good for you?, Oklahoma, 1997) has explored the question “Is humor always good for you?” Rod Martin (Psychological Bulletin 12: 504–519, 2001) has shown how some kinds of humor foster unhealthy attitudes.
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Comics Professionals on Comics Studies
Inks: The Journal of the Comics Studies Society, 2017A regular feature in Inks , “From the Field” works to highlight insights and issues from the perspective comics professionals and to articulate spaces for collaboration and partnership between scholars and cartoonists. In this inaugural issue, we ask a range of cartoonists for their thoughts on Comics Studies as a field—and what they wish folks would ...
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Proceedings of the 17th international conference on Parallel architectures and compilation techniques, 2008
The Cell BE processor is a heterogeneous multicore that contains one PowerPC Processor Element (PPE) and eight Synergistic Processor Elements (SPEs). Each SPE has a small software-managed local store. Applications must explicitly control all DMA transfers of code and data between the SPE local stores and the main memory, and they must perform any ...
Jaejin Lee +7 more
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The Cell BE processor is a heterogeneous multicore that contains one PowerPC Processor Element (PPE) and eight Synergistic Processor Elements (SPEs). Each SPE has a small software-managed local store. Applications must explicitly control all DMA transfers of code and data between the SPE local stores and the main memory, and they must perform any ...
Jaejin Lee +7 more
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2018
This chapter probes the Jewish visual imagination of the sacred through a discussion of the Hebrew alphabet as “graphic narrative.” Exploring how the relation of text and image becomes deconstructed and redefined in classical rabbinic writings on the Hebrew alphabet and the forms of the letters, this chapter opens a reciprocal dialogue between “comics”
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This chapter probes the Jewish visual imagination of the sacred through a discussion of the Hebrew alphabet as “graphic narrative.” Exploring how the relation of text and image becomes deconstructed and redefined in classical rabbinic writings on the Hebrew alphabet and the forms of the letters, this chapter opens a reciprocal dialogue between “comics”
openaire +1 more source