Results 91 to 100 of about 1,224 (151)

Experimental poetics of “The adventures of the Electric Harlequin” by V.G. Shershenevich: the genre features

open access: yesStudia Humanitatis, 2014
The article is devoted to the genre features in the insufficiently explored work "The Adventures of the Electric Harlequin" by imaginist V.G. Shershenevich.
Nikolaeva Alla Aleksandrovna
doaj  

LE PERSONNAGE CRISPIN – VALET DANS LA COMÉDIE FRANÇAISE DU XVIIIe SIÈCLE. ASCENDANCE ET INFLUENCES [PDF]

open access: yesStudii si Cercetari Filologice: Seria Limbi Romanice
Le personnage Crispin, valet, apparaît en 1655 dans la pièce de Paul Scarron L’écolier de Salamanque et, pendant presque deux siècles, il résiste sur la scène du théâtre français.
Carmen Laura Ileana DIȚU
doaj  

Commedia dell'arte och kvinnornas debut pa teaterscenen

open access: yes, 1988
Examines the Recueil Fossard woodcuts, Bavarian "Fools' Staircase" and other iconographic material that illuminates the role of the commedia dell'arte in introducing professional actresses onto the previously all-male stages of Europe.
Katritzky, M.A.
core  

Motion Capture e Commedia dell'Arte, un case study

open access: yes, 2016
La Commedia dell'Arte incontra il Motion Capture.
Maria Grazia Berlangieri
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Seventeenth-century opera and the sound of the commedia dell'arte /

open access: yes, 2016
In this book, Emily Wilbourne boldly traces the roots of early opera back to the sounds of the commedia dell'arte. Along the way, she forges a new history of Italian opera, from the court pieces of the early seventeenth century to the public stages of ...
Wilbourne, Emily,
core  

"Chi soffre speri" and the influence of the Commedia dell'arte on the development of Roman opera

open access: yes, 1995
Chi soffre speri (1637, 1639) was twice produced by the Barberini family as part of the festivities surrounding the yearly Roman Carnival. The opera's music resulted from a collaboration between two composers, Virgilio Mazzocchi and Marco Marazzoli.
Lewis Hammond, Susan, 1972-
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"Commedia dell'arte": indagini e percorsi intorno ad un'ipotesi

open access: yes, 2010
Si è detto che “arte” nell'espressione “commedia dell'arte” significa originariamente “mestiere”, come da crociana memoria. Le prime dizioni conosciute di questa formula, com'è noto, sono tarde, addirittura goldoniane e sembrano significare commedie ...
TAMBURINI, ELENA
core  

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