Results 61 to 70 of about 5,543 (172)
OuvirOUver, 2009 O presente artigo busca estabelecer uma ligação entre algumas Manifestações Espetaculares Populares do Brasil (samba, capoeira e frevo) e Itália (Máscaras da Commedia dell’Arte), privilegiando as teorias da imagem e do imaginário encontradas em Bachelar ...
Joice Aglae Brondani
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Citare il gesto in scena. Teatro del Novecento e Commedia dell’Arte [PDF]
Parole Rubate, 2017 This article tackles the theoretical issue of gestural citability in theatrical performance and verifies the presence of the quotation of a distinctive gestural art in early twentieth-century productions openly inspired by the Commedia dell’Arte.
Paola Ranzini
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O teatro de Vakhtângov: fundamentos de uma prática teatral
RUS (São Paulo), 2017 Este artigo aborda aspectos da trajetória do encenador Evguiêni Bagratiónovitch Vakhtângov na elaboração de sua poética da cena, principalmente no que concerne à apropriação de elementos da commedia dell’arte e do sistema de Stanislávski.
Adriane Maciel Gomes
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Barbara Flaminia detta Hortensia
Drammaturgia, 2020 Barbara Flaminia was the first actress in the Commedia dell’Arte of which we have documented news. Endowed with excellent artistic qualities, she performed in comedies, tragicomedies, pastorals and in singing spectacles.
Francesca Simoncini
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Calderón in the Casamarciano "Gibaldone" (i): The "scenario" "Casa con due porte"
Cuadernos de Investigación Filológica, 2020 The article sits focuses on collection of scenari, the Gibaldone of the Count of Casamarciano. In this collection there are five canovacci of Calderonian derivation; among them, is Casa con due porte, of which the relations with the source text will be ...
Roberta Alviti
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Tracing/training rebellion - object work in Meyerhold's biomechanics [PDF]
, 2007 [First paragraph] Lying in the Russian State Archive of Literature and Arts in Moscow (RGALI) is a nine-page document entitled Programme of Biomechanics, Meyerhold Workshop (1922). Though modest in size, it is an unashamedly ambitious programme, which
Bogdanov Gennady +10 more
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Fall Fringe Festival 2004: Galileo Galilei, October 30-November 7, 2004 [PDF]
, 2004 This is the concert program of the Fall Fringe Festival 2004 performance of Galileo Galilei by Philip Glass, running October 30, 31, 2004 and November 4, 6, 7, 2004, at the Boston University Theatre, Studio 210, 264 Huntington Avenue.
School of Music, Boston University
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Pamiętnik Teatralny, 1954 Complemented by an introductory essay, this critical edition gathers ephemeral prints relating to the performances by two troupes of Italian dell'arte comedians who visited Warsaw in 1748–49 and 1754.
Bohdan Korzeniewski
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Angela Carter’s «Puss-in-Boots»: Commedia dell’arte meets the Bluebeard story
Forma Breve, 2004 In the short-story «Puss-in-Boots» Angela Carter rewrites Charles Perrault’s classic «Le Chat Botté». She enhances the comic element by constructing it in the vein of commedia dell’arte which at the end subverts the up-coming uxoricide and the ...
Maria Sofia Pimentel Biscaia
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, 2011 En el presente capítulo de libro se ofrece la ficha exhaustiva y completa de la obra Cimene Pardo de Carlo Gozzi. Cabe destacar la posible fuente de dicha obra (localizada en un “canovaccio” la Biblioteca Casanatense de Roma)
Romera Pintor, Irene
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