Results 11 to 20 of about 314,040 (284)
Information and Computation, 2023 The present work builds on previous investigations of the authors (and their collaborators) regarding bridges, a certain type of morphisms between encryption schemes, making a step forward in developing a (category theory) language for studying relations between encryption schemes.
Mugurel Barcau +2 more
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EMBO reports, 2000 Textbooks often assert that life began with specialized complex molecules, such as RNA, that are capable of making their own copies. This scenario has serious difficulties, but an alternative has remained elusive. Recent research and computer simulations have suggested that the first steps toward life may not have involved biopolymers.
D, Segré, D, Lancet
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Retrospective analysis of plagiaristic practices within a cinematic industry in india – a tip in the ocean of icebergs [PDF]
, 2020 Music plagiarism is defined as using tune, or melody that would closely imitate with another author’s music without proper attributions. It may occur either by stealing a musical idea (a melody or motif) or sampling (a portion of one sound, or tune is ...
Paneerselvam, Umamaheswaran +2 more
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Cultural Orientation of the New Era
Cadmus, 2023 In order to ensure security in the education system and, thereby, educate a creatively thinking and acting person, it is necessary to reform education, filling it with a cultural component.
Natalia Rojcovscaia-Tumaha
doaj
ANTON: Composing Logic and Logic Composing [PDF]
, 2009 In most styles of music, composition is governed by a set of rules. We demonstrate that approaching the automation and analysis of composition declaratively, by expressing these rules in a suitable logical language, powerful and expressive intelligent composition tools can easily be built.
Boenn, Georg +3 more
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Playing Composer – Performing Composer – Being Composer?
MedienPädagogik: Zeitschrift für Theorie und Praxis der MedienbildungMusik zu kreieren ist ein wichtiger Bestandteil des schulischen Musikunterrichts, der jedoch häufig durch bestehende Vorstellungen von Schüler:innen zur Praxis des Komponierens beeinflusst wird.
Phillip Feneberg
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Per Musi, 2008 Este artigo faz um breve apanhado sobre o pouco que se sabe até o momento a respeito do compositor da Escola Mineira do final do século XVIII, Antônio dos Santos Cunha.
Edílson Rocha
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Composer-composer collaboration and the difficulty of intradisciplinarity
Airea, 2020 Research and practice involving parties from different disciplines is of increasing importance in many fields. In the arts, this has manifested itself in both increasing attention on established collaborative partnerships – composers, for example ...
Martin Scheuregger, Litha Efthymiou
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An examination of the keyboard technique of Bach, Haydn, Chopin, Scriabin and Prokofiev [PDF]
, 2016 Master's Project (M.Mu.) University of Alaska Fairbanks, 2016In this research paper, I will explore the keyboard technique of each composer presented in my recital: J.S.
Hays, Jonathan K.
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Power, agency, deference and difference Examining the politics of composer–performer relationships in the wake of recent innovations [PDF]
, 2016 With a view to uncovering the political implications of notational, technological and musical innovation in composer–performer relationships within Western art music, this paper examines three disparate works: Christian Wolff’s Duo for Pianists II (1958);
Aulich, John
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