Results 11 to 20 of about 3,192 (243)

WOMEN AS PERPETRATORS OF CRIMINAL OFFENSES AND THEIR TREATMENT IN INSTITUTIONS FOR THE EXECUTION OF CRIMINAL SANCTIONS

open access: yesBezbednosni Dijalozi, 2023
The scientific paper explores women as perpetrators of criminal acts and their penal treatment, providing insights into the specifics and challenges they face during incarceration.
Adisa Jusić   +2 more
doaj   +1 more source

Ways of living abroad: The foreign composer in Britain after World War II [PDF]

open access: yesMuzikologija, 2021
The situation for emigre composers in Britain during World War II and afterwards was extremely complicated. British attitudes towards foreigners were highly ambivalent, and this was reflected institutionally, as the policies of the BBC at the ...
Moody Ivan
doaj   +1 more source

„Tote Aber Leben Länger“. The Second Viennese school and its place in the reflections of selected composers from the second half of the twentieth century (Lutosławski, Ligeti, Lachenmann, Harvey) [PDF]

open access: yesMuzikologija, 2020
The juxtaposition of classicism and actuality is a good description of the ambiguous position occupied by the Second Viennese School not only in the eyes of the scholars who research it, but also of composers who can be regarded as its ...
Schreiber Ewa
doaj   +1 more source

Semiotics in the Study of Aleksander Tansman᾽s Cultural Identity [PDF]

open access: yesAthens Journal of Humanities & Arts, 2020
The affiliation of the Polish émigré composers with Polish culture has often raised doubts which would probably not have occurred had those composers stayed in Poland. These doubts arise from the fact that in some cases it is difficult to determine those
Anna Granat-Janki
doaj   +1 more source

New and Old Tendencies in Labour Mediation among Early Twentieth-Century U.S. and European Composers

open access: yesÖsterreichische Zeitschrift für Geschichtswissenschaften, 2013
This paper presents strategies used by early twentieth-century composers in order to secure an income. In the wake of new economic realities, the Romantic legacy of the musician as creator was confronted by new expectations of his position within society.
Anna G. Piotrowska
doaj   +1 more source

Duchovní hudba a česká hudební kultura v devadesátých letech minulého století

open access: yesMusicologica Brunensia, 2019
The study brings the synthetic overview of the Czech sacred music development in 1990– 2000. The Czech musical culture has shown the significantly increased interest in the genre of sacred music as the result of political and social changes after 1989 ...
Eva Vičarová, Kateřina Janíčková
doaj   +1 more source

Greek composers of the Ionian islands in Italian musical life during the 19th century [PDF]

open access: yesMuzikologija, 2003
During the 19th century most of the Ionian islands played a leading role in the Greek musical life. The vicinity of the islands with Italy combined with the Venetian domination were two facts that helped the creation of strong links between the Ionian ...
Vergadou-Mavroudaki Christina
doaj   +1 more source

Některá specifika brněnského hudebního života ve 2. polovině 20. století aneb existovala brněnská kompoziční škola?

open access: yesMusicologica Brunensia, 2013
Brno became a center of musical culture in the late 19th century thanks to versatile activities of Leoš Janáček. His disciples, however, not establish its activities, the efforts of their teachers did not understand. The situation changed after the World
Jindřiška Bártová
doaj   +1 more source

Music and Emotion: a composer’s perspective

open access: yesFrontiers in Systems Neuroscience, 2013
This article takes an experiential and anecdotal look at the daily lives and work of film composers as creators of music. It endeavours to work backwards from what practitioners of the art and craft of music do instinctively or unconsciously, and try to
Joel eDouek
doaj   +1 more source

The composer’s program note for newly-written classical music: content and intentions

open access: yesFrontiers in Psychology, 2016
In concerts of western classical music the provision of a program note is a widespread practice dating back to the 18th century and still commonly in use.
Diana Mary Blom   +2 more
doaj   +1 more source

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