Results 161 to 170 of about 3,005 (186)
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Computation of Interface Aesthetics
Proceedings of the 33rd Annual ACM Conference on Human Factors in Computing Systems, 2015People prefer attractive interfaces. Designers strive to outmatch competitors, and create apps and websites that stand out. However, significant expenses on design are unaffordable to small companies; instead, they could adopt automatic tools of interface aesthetics evaluation, a cheaper strategy to good design.
Miniukovich, Aliaksei +1 more
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ICGA Journal, 2006
In this note, the psychology of aesthetics is briefly discussed and the feasibility of a discrete computational aesthetics model for chess is justified.
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In this note, the psychology of aesthetics is briefly discussed and the feasibility of a discrete computational aesthetics model for chess is justified.
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The state of aesthetic computing or info-aesthetics
ACM SIGGRAPH 2009 Art Gallery, 2009Aesthetic computing is one of several related new fields: info-aesthetics, database aesthetics, network aesthetics, and software aesthetics. What are their similarities and differences? What are the aesthetic issues driving them, and how are they linked to technological developments? And what exactly is the role of aesthetics is this context?
Michael Kelly +4 more
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2006
In Aesthetic Computing, key scholars and practitioners from art, design, computer science, and mathematics lay the foundations for a discipline that applies the theory and practice of art to computing. Aesthetic computing explores the way art and aesthetics can play a role in different areas of computer science.
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In Aesthetic Computing, key scholars and practitioners from art, design, computer science, and mathematics lay the foundations for a discipline that applies the theory and practice of art to computing. Aesthetic computing explores the way art and aesthetics can play a role in different areas of computer science.
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Computational Intelligence Approaches to Computational Aesthetics
2018Computational aesthetics is an area of research which attempts to develop computational methods that can perform human-like aesthetic judgements. Aesthetic judgements are often subjective, as such the development of computational models of aesthetics is highly challenging. This article summarises the advancements in the area of computational aesthetics
Erandi Lakshika, Michael Barlow
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Experiments in Computational Aesthetics
2007A novel approach to the production of evolutionary art is presented. This approach is based on the promotion of an arms race between an adaptive classifier and an evolutionary computation system. An artificial neural network is trained to discriminate among images previously created by the evolutionary engine and famous paintings. Once training is over,
Penousal Machado +2 more
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Model representation with aesthetic computing
ACM Transactions on Modeling and Computer Simulation, 2005We define a new methodology,aesthetic computing, for customizing discrete structures found in mathematics, programming, and computer simulation. The methodology is presented as a procedure, defined within the context of the semantic web, involving a successive chain of model transformations from asource modelto atarget model, with the source model ...
Paul Fishwick +2 more
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Preface: Natural Computing and Computational Aesthetics
2013Computational aesthetics already has had a long history. As early as 1928, G.D. Birkhoff introduced the concept of the aesthetic measure (M) and defined it as the ratio between order (O) and complexity (C): M = O/C. In Japan, in September 1964, art philosopher H. Kawano published the first computer-generated works in IBM Review (see the Website [ http:/
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Semantic indexing and computational aesthetics
Proceedings of the 3rd ACM conference on International conference on multimedia retrieval, 2013Semantic Indexing and Computational Aesthetics are two closely related fields. For some aspects they are similar, complementary for others, and sometimes completely disjoint. Semantic Indexing is about automatically identifying content in natural images, namely recognizing objects and scenes.
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