Results 61 to 70 of about 2,409 (179)
Performance text for devised performance piece, Concerto.
Pinchbeck, Michael, Smith, Ollie
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O presente trabalho busca discutir a importância do Concerto para Violino de György Ligeti e sua relevância dentre as obras do estilo tardio do compositor.
Ivan Paula Santos Machado Dantas +1 more
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THE INTONATIONAL ORGANIZATION IN THE VIOLIN CONCERTO MOMENTS [PDF]
The article examines the intonational organization of the Concerto for Violin and Symphony Orchestra „Moments”. A perspective of the analysis of the intonational system of the Concerto refers to highlighting the traditional narrative types, such as the ...
CIOBANU GHENADIE
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THE GENRE OF CONCERTO FOR PIANO AND ORCHESTRA IN THE CREATION OF COMPOSERS FROM THE REPUBLIC OF MOLDOVA AND ITS SCIENTIFIC COMPREHENSION [PDF]
The article examines the genre of the concerto for piano and orchestra in the creative activity of composers from the Republic of Moldova. This genre is analyzed from the point of view of its historical evolution, musical style, the composition and ...
VARDANEAN ALIONA
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Clarinet Concerto by Tolibkhon Shakhidi: Poetics of the Genre
The article presents an analysis of the Clarinet Concerto by Tolibkhon Shakhidi, created in 2009–2010. The work’s dramaturgic, orchestration and composition features are considered in the context of contemporary trends in the development of the clarinet ...
Orzubonu N. Nurulloyeva
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THE ORGAN CONCERTO BY DMITRY KITSENKO: PECULIARITIES OF ITS MULTIMEDIA VERSION [PDF]
The article presents the multimedia version of the Organ concerto by composer Dmitry Kitsenko – the work presented at different stages of his creation in various genre forms, as a result there appeared a kind of supercycle, consolidated by intertextual ...
COCEAROVA GALINA
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This music score was submitted for the Kaleidoscope 2020 Call for Scores, an open access collaboration with the UCLA Music Library.
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Was Shostakovich’s Second Cello Concerto a Hidden Homage?
Shostakovich’s direct quotation from the Odessan street song “Bagels, Buy My Bagels!” (Bubliki, kupite bubliki!) in his Second Cello Concerto Op. 126 (1966) featured an unusual style, even in relation to some of his other compositions referencing popular
Marina Ritzarev
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Concerto de percussão para guiro e teclados, composta em janeiro de 1986.
Fernando Iazzetta
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