Results 261 to 270 of about 281,742 (324)
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, 2020
The purpose of this article is to analyse Monica Ali's In the Kitchen (2009) and John Lanchester's Capital (2012). I draw on the notion of disposability (Evans and Giroux, Standing, and Bauman) to delve into the concepts of neoliberal subjectivity and ...
Silvia Caporale-Bizzini
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The purpose of this article is to analyse Monica Ali's In the Kitchen (2009) and John Lanchester's Capital (2012). I draw on the notion of disposability (Evans and Giroux, Standing, and Bauman) to delve into the concepts of neoliberal subjectivity and ...
Silvia Caporale-Bizzini
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The novel now: contemporary British fiction
Choice Reviews Online, 2007R. Bradford
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Publije, 2018
This paper focuses on novels addressed to that category of older teenagers called “young adults”, a particularly successful category that is traditionally regarded as a subpart of children’s literature and yet terminologically insists on overriding the ...
V. Douglas
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This paper focuses on novels addressed to that category of older teenagers called “young adults”, a particularly successful category that is traditionally regarded as a subpart of children’s literature and yet terminologically insists on overriding the ...
V. Douglas
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Maturation Novel in Contemporary British Fiction
Humanitarian VectorThe article is concerned with the genre of Bildungsroman. The relevance of the study is determined by the attempt to trace the development of the genre form of the Bildungsroman in modern British literature of the late 20th and early 21st centuries.
Irina Kostina
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The powers of exposure: risk and vulnerability in contemporary British fiction
Fiction in the Age of Risk, 2017This article opens by exploring the evocations in Jonathan Coe’s novel, Number 11, of contemporary forms of social, economic and political precariousness.
Jean-Michel Ganteau
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A Concise Companion to Contemporary British Fiction
Reference Reviews, 2007J. Gardner
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The polyphonic novel in contemporary British fiction
2020This thesis offers an alternative history of contemporary British fiction by centralizing the conception of genre as a ‘way of seeing and conceptualizing the world. By recontextualizing and reintroducing the polyphonic novel as a distinctive, emergent (cf.
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