Results 11 to 20 of about 1,979,949 (289)
Masculinity on the run: history, nation and subjectivity in contemporary mainland Chinese cinema [PDF]
The study investigates representations of masculinities in modern Mainland Chinese cinema from the early reform period to the year 2000. It argues that masculinities from this era are `on the run'; that is, male protagonists' ambiguous relationships with
Williams, Louise Ann
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Realism of the senses: a tendency in contemporary world cinema [PDF]
This thesis proposes to examine the production of sensory realism in world cinema by using as case studies the cinemas of Carlos Reygadas (Mexico), Tsai Ming-liang (Taiwan) and Gus Van Sant (US).
Magalhães De Luca, Tiago
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Folding cubanidad : a Deleuzian approach to contemporary Cuban cinema [PDF]
Electronic version excludes material for which permission has not been granted by the rights holder. Copyright permissions are pending.In this thesis I look at the way in which Cuban cinema of the post-Cold War period re-envisions the image of the nation
Monaldi, Paola
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Going vertical: examining the rise and impact of contemporary Russian sports cinema
IntroductionWhile Hollywood has been central to the definition and popularisation of the genre internationally, sport cinema also has a significant presence in national cinemas across the world, though less research has been undertaken to date of the ...
Seán Crosson
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European Cinema and Continental Philosophy: Film as Thought Experiment, by Thomas Elsaesser
Thomas Elsaesser’s recent scholarship has examined the “mind-game film”, a phenomenon in Hollywood that is broadly characterised by multi-platform storytelling, paratextual narrative feedback loops (“Cinema” 8), nonlinear storytelling, and unreliable ...
Ekin Erkan
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Després de la modernitat: el cinema d’Albert Serra
Albert Serra’s cinema captures certain characteristics of modernity, but it is a cinema that was born when this modernity entered into crisis and seems to find new ways in digital cinema.
Àngel Quintana
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If most cinema educational devices in France – such as Ecole et cinéma – still consider the cinema as a mandatory passage, the current digital tools allow us to consider other ways of getting to learn about cinema.Many activists in cinema education ...
Perrine Boutin
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Looking through: the use of the free indirect subjetive camera in contemporary cinema
This research proposes to explore the cinematographic universe from the perspective of director and therefore it uses the free indirect subjective camera (a term from Italian filmaker Pier Paolo Pasolini) in contemporary cinema to illustrate the ...
Fabiana Maceno Domingos Pedrolo
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Cinephilia and the Aestheticization of Film. Cultural Legitimacy Before and After
The history of cinema is characterized by the fight for cultural legitimacy. Specifically, in the 20th century, cinema played a key role for the expansion of the aesthetic field in debates on contemporary times and even influenced the philosophy of art ...
Roy Menarini
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Turning a blind eye to dying and eroticism: some remarks on contemporary cinema
Since the beginning of the cinematographic industry there has been a visible interest in exploring two themes: death and sex, whereas the motif of dying and sexuality/eroticism seem to be mutually exclusive in mainstream movies to such extent that they ...
Małgorzata Jakubowska +1 more
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