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Social Circus for People with Disabilities: A Video Analysis through the Lens of the MOHO [PDF]
Background. Social circus is a branch of circus that primarily focuses on personal and community development, rather than an elite level of professional artistry required of traditional circus. Social circus engages participants in circus activities such
Bianca A. D. Thompson, Kieran Broome
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This article examines Circus Amok, a circus company founded in 1989 in New York City, the United States, and directed by Jennifer Miller, a key figure in the debate on circus and political engagement, particularly in discussions on gender.
Maria Carolina Vasconcelos Oliveira
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Fraying Parachutes: Costume agency and convivencia in contemporary circus performance making
Fraying Parachutes explores from a choreographer/facilitator’s perspective the agency found in the costume making processes during Femme de Feu’s Circus Sessions 2019, in which three abandoned parachutes were upcycled and transformed into circus costumes.
Michelle Man
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Focusing on the case of Marseille-Provence 2013, European Capital of Culture, this article investigates the importance placed on the audience in the scheduling of circus events.
Marine Cordier +3 more
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Circus for All? The Stakes of Event Programming in the Context of a European Capital of Culture
Focusing on the case of Marseille-Provence 2013, European Capital of Culture, this article investigates the importance placed on the audience in the scheduling of circus events.
Marine Cordier +3 more
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The article outlines the possibility of a systematic principle of training a circus artist in today's conditions. The purpose of the study is to systematically review the training of the future professional circus artist − an acrobat and gymnast.
Dmitriy Orel
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Wabi Sabi is a Japanese concept that, despite lacking a universal definition, comprises three principles: nothing is perfect, nothing is finished and nothing lasts forever.1 While in 2018, an adapted version of Wabi Sabi started to become trendier in the
Baltrušaitytė Renida
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À partir d’une enquête ethnographique au long cours, cet article étudie l’insertion de circassiens issus d’un espace périphérique, le Chili, sur le marché du cirque global, avec ses effets sur les modes de vie et les esthétiques.
Aurore Dupuy
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Formats and Potentials of Local Small Arts (Kleinkunst) [PDF]
The article focuses on the phenomena, developments and potentials of small arts (Kleinkunst) in the Slovenian space. Small arts are a form of artistic response that, through diverse performance genres – such as cabaret, new burlesque, improvisational ...
Zala Dobovšek
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Rigging Design and Rope Design as Artistic Practice
This is an audio-visual essay based on the thesis that I wrote for my MFA in Contemporary Circus Practices at Stockholm University of the Arts. This project was dedicated to preliminary research that opens up a conversation about what creative rigging ...
Saar Rombout
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