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Britain’s historical spectacles of animal performance, from Victorian circuses and travelling menageries to early visual media, did more than entertain, they shaped how humans imagined, controlled, and valued nonhuman life.
Farah Benbouabdellah
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Mounted photographic print of signage on a wall of a building advertising Ohmy's Circus and acts. Bottom sign advertises the Lancashire Electric Company. Joseph Smith (King Ohmy) opened his first show at Southport in 1880.
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Approche critique de l’observation de dispositions genrées
This article aims at questioning the binary categorization of gendered dispositions according to a partition "male-female". We take support on the observation of the "in the making" bodily socializations of women who are specialised in the aerial ...
Marie-Carmen Garcia
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Carl-A Holmes MA Contemporary Circus Practice
This is a thesis - supposedly. It could also be a performance if you want. As an object it is detachable in that you can pick it up. Or download it. This thesis has edges. It has protrusions, indentations, connections and holes. Lots and lots of holes. That is because this is a thesis about and consisting of affordances.
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PROFESSIONAL JUGGLING IN CONTEMPORARY CIRCUS: METHODS OF PERFORMING COMPLEX TRICKS
Professional juggling in the Circus Space of Art Culture and Circology is an important aspect of performative practice today. An important factor in circological studies of professional juggling as a circus genre is the precise definition and description of its practical part, as well as the description of the technique of trick performance.
Denys Sharykov, Stepan Kuts, Kuts Vasyl
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Photographic postcard from Denmark showing performers in the ring, capitioned on front 'Hilsen fra Circus William Oschansky' (William Olschansky Circus)
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Photograph of a group of circus performers standing in front of a circus living ...
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Photographic print of two photographs, one showing an open-top carriage outside a large sign the 'Ohmy Circus' (possibly a building) and the other the outside of a circus tent.
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Colorless Festivals—An Examination of Yasuo Kuniyoshi’s Two Postwar Lithographs
As a key figure among Japanese American artists, Yasuo Kuniyoshi attracted scholarly attention for his melancholic paintings produced during and shortly after the Second World War.
Chao Chi Chiu
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