Results 131 to 140 of about 388,275 (287)
The British Journal of Sociology, EarlyView.ABSTRACT Class identity is a crucial sociological concept, but is only ever measured at the individual level. In this paper, we ask: do groups have class identities? And do those class identities correspond with material resources? To answer these questions, we examine data from 31 of the most prominent American religious denominations in the early ...
Tessa Huttenlocher, Melissa Wilde
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The Hour that Never Comes and the Time that Remains
Journal of Analytical Psychology, EarlyView.Abstract This essay proposes a symbolic and clinical investigation of psychic temporality through two archetypal experiences of time: the hour that never comes and the time that remains. Drawing on analytical psychology, trauma theory and aesthetic philosophy, text explores how certain forms of suffering resist chronological resolution and persist as ...
Daniel Françoli Yago
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Dancer-researchers interpreting themselves: Moving towards an anthropology of contemporary “art" dance [PDF]
, 2006 It was in 1984 with a single reading of Kealiinohomoku's seminal text on ballet's ethnicity (1969/70) that I was drawn irresistibly into the field of dance anthropology.
Barbour, Karen
core +1 more source
Sharing the Same Playground? An Analysis of the Private Sector's Role in Tech Diplomacy
Global Policy, EarlyView.ABSTRACT This article takes the emergence of tech diplomacy as the motivation for an investigation into shifting relationships between traditional diplomatic actors and non‐state actors. The observation that ‘new diplomatic actors’ and new diplomatic venues have led to a ‘new kind of diplomacy’ dates back to at least the 1990s.
Katharina E. Höne
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DANCE MUSIC: GENDER ISSUES AND EMBODIMENT OF NATIONAL IDENTITY
Accelerando: BJMD, 2018 Drawing on research of contemporary dance music this study analyzes how practices of, and discourse about, contemporary dance music contribute to the performance and embodiment of gender, and national identities. This article examines the articulation of
Natalia Viktorovna Sokovikova
doaj
, 2008 This portfolio includes four electronic pieces as well as three works especially devised for dance and theatre. The electronic music compositions Plastiches, Clangor, Showtime!
Otondo, Felipe
core
Arabian Archaeology and Epigraphy, EarlyView.ABSTRACT Between 2018 and 2021, the Identification and Documentation of Immovable Heritage Assets (IDIHA) Project recorded over 19,000 rock art panels in the AlUla (al‐‘Ulā) region of north‐western Saudi Arabia. This study presents a chronological assessment of the corpus, drawing on superimpositions, datable motifs, inscriptions, and varnish formation,
Maria Guagnin +3 more
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The McKinleys of Punch: Politics and the Press in Melbourne, 1870s to 1920s
Australian Journal of Politics &History, EarlyView.This article re‐examines the Melbourne Punch (1855–1925; known simply as Punch from 1900) as a political weapon in the cut‐and‐thrust of Victorian, local, and national politics, in the hands of its longest‐serving, but least‐known proprietor, Alexander McKinley (1848–1927).
Richard Scully
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Community and Choreography: A Reflection on Dance’s Constitutive Outside
Performance PhilosophyThe aim of this paper is to take a step backwards. The problem of community in contemporary dance cannot be accurately thought without first looking at dance’s constitutive outside, namely social dancing.
Raf Geenens
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Liberalism as a Way of Political Life: The Case of George Brandis
Australian Journal of Politics &History, EarlyView.The lawyer, politician, and diplomat George Brandis was the leading intellectual representative of moderate or “small‐l” liberalism in the contemporary Liberal Party. He criticised John Howard for an ad hoc balancing of liberalism and conservatism. Brandis believed the Liberal Party necessarily included conservatives, but to him their role was to be a ...
Geoffrey Robinson
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