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Movements in contemporary dance?
Maska, 2014Abstract The current editorial board of Maska first raised the issue of the concerns of contemporary dance already in March 2012; almost exactly a year ago, this was followed by the first drafts for the present issue and finally by the decision that the contemporary dance issue should be addressed thoroughly and systematically.
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Polycentrism in contemporary dance
Journal of Dance & Somatic Practices, 2013Abstract The concept of a single embodied centre is an important part of modern dance training and aesthetics, and is particularly applicable to spinal movement. Polycentrism, a concept that has arisen though analysis of Africanist dance aesthetics, can also be identified in contemporary dance.
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Contemporary South Asian Dance
2018Contemporary South Asian Dance is performed in the geographical territories of India, Pakistan, Bangladesh, Sri Lanka, and in the diaspora of South Asians in the global North and South. In the early twentieth century, migrations into Southeast Asia, parts of Africa, and the Caribbean originated from British colonization.
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Lecture Performance as Contemporary Dance
2017The “lecture performance” is a key genre in the field of Konzepttanz. Prominently present in the early twenty-first-century scene of experimental dance, this genre is not limited to dance only, nor is it exclusively German. Lecture performances give expression to an understanding of dance as a form of knowledge production—knowledge not (or not only ...
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Intermediality of Contemporary Dance
The Journal of Dance Society for Documentation & History, 2021openaire +1 more source
Im_possible spaces of contemporary dance
MaskaThe problem of space is not a particular problem of contemporary dance. It is a general problem of society, a ramification of the political and economic system; exploitation, extermination, usurpation, illegitimate occupation, privatization, gentrification, abolition of public, open spaces (and the list certainly goes on).
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